Tag: Walt Whitman

The Kingfisher’s Wing

Driving Trappe backroads I had to stop the car on a small bridge, mid-conversation, just to take in the scene. To recognize and capture the moment: the mist on the river, the slick calm surface of the water, the way the sun froze everything in time, just for a second.

“… After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.”

T.S. Eliot, Burnt Norton, “Four Quartets”

That’s how Eliot puts those iridescent moments–they can become the still point of a turning world. If there are a handful of books that we get sent back to over and over again in the course of our lives, T.S. Eliot’s “Four Quartets” is one of those books for me.

This weekend it was Rowan Williams’ book “Being Disciples,” that sent me either down the chute or up the ladder to the kingfisher’s wing. Williams compared prayer to birdwatching (two things I dig and want to spend more time doing). He said:

“I’ve always loved that image of prayer as birdwatching. You sit very still because something is liable to burst into view, and sometimes of course it means a long day of sitting in the rain with nothing very much happening. I suspect that, for most of us, a lot of our experience is precisely that. But the odd occasions when you do see what T.S. Eliot (in section IV of ‘Burnt Norton’) called ‘the kingfisher’s wing’ flashing ‘light to light’ make it all worthwhile. And I think that living in this sort of expectancy–living in awareness, your eyes sufficiently open and your mind both relaxed and attentive enough to see when it happens–is basic to discipleship.”

And that’s it–having our minds and hearts open and expectant, so that we can catch those moments when they happen. Eliot pointed it out for me years ago, Williams reminded me and sent me back to Eliot, but God presents us with those moments every day.

Running through John Ford Park on a Friday morning after a Thursday night rain, and a magnolia blossom all but audibly called out to be noticed and appreciated. It’s so easy to put my head down and pass those moments by, but thankfully I am easily led when it comes to opportunities to marvel and wonder.

Another one of those books to return to countless times over a lifetime is Walt Whitman’s “Leaves of Grass,” particularly “Song of Myself.”

“Swiftly arose and spread around me the peace and joy and knowledge that
pass all the art and argument of the earth”

Walt Whitman, “Song of Myself”

Have you had those feelings, possibly brought on by those kingfishers’ wing moments that we happen to catch? When you are sitting there, drinking in the day, firehose style, where you know you are missing a lot of what you are trying to take in, and you breathe, and look over and the moment transforms into a feeling and you are in it and it is in you.

Contributing a Verse

Sometimes it’s there, just below the surface. My mind is distracted, looking for the familiar, but knowing it won’t come from there. It’s something new.

A beautiful morning, or evening, outside, smelling cut grass, swooning in the start of spring. It seems like normal. But go to grab groceries and it hits: it’s eerie. Off. Something is not right. You can feel it.

We are all called to respond in our own ways. To stay home, yes, but also called to look differently, think differently, maybe to live and be differently. I’ve been trying to get my head around it.

Before COVID-19 arrived, Fr. Bill Ortt put out a Lenten challenge at Christ Church Easton: 1) Find a word that speaks to you; 2) choose a Bible verse that uses your word; 3) Memorize your verse and pray, meditate, reflect on your word/verse as a Lenten mantra of sorts; 4) Write your word on one of the small, wooden crosses the church gives out. And if you are inspired to, take a picture and share your cross-verse.

There have been some wholly wonderful responses. “Heal,” “light,” “love,” “pray,” “faith”–it’s been inspiring to see and read how people came to their word (or their word came to them) and what they are doing with the experience.

My word wasn’t there at first. Or it was, but I wasn’t listening.

As a church, when it was clear that we weren’t going to be gathering together for a time, we had to figure out what that meant; what it looked like; how to stay relevant, be there for people; how to continue to shine a light; how to connect; how to help people be hopeful. We had to do things differently.

We had to create something new. Or at least new to us. We moved our meetings, small groups, and prayer gatherings to ZOOM. Worship services (what would worship look like now?) to Facebook Live. And our music ministries became video artists–I stop every time I hear/watch “Hold Us Together,” “Stand in Your Love / Chain Breaker,” or “Be Still My Soul.” These are videos that have been viewed tens of thousands of times now on Facebook and shared widely. They strike a chord, they speak to hope and faith and love and connection. They weren’t a priority before social distancing, until they became one of the key ways to communicate. This is a time that is teaching us how to create, how to be differently, how to look at what’s important. And it’s not about adapting to a temporary predicament–it’s about moving toward, embracing something new.

I am fascinated by stories. As a writer, I read them, listen to them, think about them, and hope to share and tell them in new and interesting ways. But with between work, two teenage daughters, life, it’s not always easy to make time to write.

As I sat, prayed, reflected, my word, both professionally and personally was there all along: CREATE. And when I started looking through Bible verses, Isaiah practically smacked me upside the head:

“For I am about to create new heavens
and a new earth;
the former things shall not be remembered
or come to mind.”

Isaiah, 65:17

In this time, our time, maybe we are called to look at our lives with an eye towards creating better lives.

Maybe we are called to look at our personal and collective stories, and tell new ones.

If our world is necessarily knocked off its axis, perhaps we can look at how to get it spinning around love, kindness, community, sustainability, and creativity.

If I stay home, simply waiting, doing things as I’ve always done them, and at the other end of this pandemic, just shrug, and go back to business as usual, what have I learned or gained from the experience?

This isn’t meant to be some Pollyanna motivational speech. I know my shortcomings. I know I will be lazy, I will fall short, I will miss opportunities. I try to own my humanity, my flaws, and my mistakes. But the idea behind a word, a mantra, a verse to think, pray, reflect on, is what I set my eyes to–what I aim towards, what I strive for. And in the face of a global virus the world is responding to in ways that none of us have seen in our lifetimes, it is a legitimate time to look at our lives and think about where and how we are and where we want to be.

Each spring, I go back to Walt Whitman’s “Leaves of Grass.” It’s become a way to enter the season of rebirth, of resurrection. And this year I am hit especially by his “O ME! O LIFE!” in the same space and way that Robin Williams quoted it in Dead Poets Society.

We are here. We exist. It didn’t have to be, but it is. And in life’s powerful play, we may contribute a verse. That is what we create. But it’s up to us.

I want to wake up open to what it is God is creating in the world and creating in me.

“Create in my a clean heart, O God, and put a new and right spirit within me. Do not cast me away from your presence, and do not take your holy spirit from me. Restore to me the joy of your salvation, and sustain in me a willing spirit.”

(Psalm 51:10-12)

Northern Exposure; It’s the fling itself

On paper, my last semester at N.C. State was a failure. Ultimately it left me on the street, back in Maryland, getting in shape with designs of going into the Army and jumping out of planes. It got me back to running. Made me change my life’s direction. That is the good.

Not a lot of time was spent in classrooms. But I think I learned a lot that fall. The curriculum was organic, unstructured, self-guided. It included Jerry Garcia and David Grisman. It included chess and whiskey. It included Whitman and Emerson. It included Paul Newman and Robert Redford; Charlie Chaplan and Robert Downey Jr.; daily episodes of Northern Exposure re-runs; and deep discussions with a good friend, Lindsay Loflin, who was the only other English Literature (and in his case film) student that I knew well at a textiles and engineering school.

Northern Exposure is my favorite TV series of all time. It was made and aired within the parameters of prime time network television, before HBO changed the TV series rules forever (for the better) with shows such as The Wire, Sopranos, Game of Thrones, etc. Point being Northern Exposure had to play by the network rules. Let’s be honest, Maggie O’Connell (Janine Turner) could have been a fun character to have playing by HBO/Showtime standards.

For me, the series is full of life lessons, philosophy, humor, etc. It is a study on how life sometimes goes in directions you had no idea were coming, not directions you necessarily would want, but directions you need to get where you are going. Dr. Joel Fleischman (Rob Morrow) is a Jewish physician from NYC whose medical school at Columbia was financed by the state of Alaska. He is a city cat, but winds up in Cicely, Alaska, as part of a contract to repay/pay back the state for his education. It’s in the middle of nowhere, he hates it, is a salmon out of water, but starts to change. The place and people teach him, even when he doesn’t want them to or expect it. We get what we need, and what needs us.


Alaskan/Indian Ed Chigliak (Darren E. Burrows), film critic and aspiring director is a brilliantly conceived, quirky character. Adam Arkin’s “Adam,” the paranoid recluse who is a gourmet chef and wired into the inner-workings of global counter-intelligence is phenomenal. And Chris Stevens (John Corbett), radio DJ host of “Chris in the Morning” is perhaps my favorite character of all time, possibly in any media. Chris is an air waves philosopher, reading Walt Whitman to his listeners; sharing personal stories, groping life. The piano fling scene and speech (from season three) is one of the all-time great moments in television. To me that sums up art, philosophy, fun, being eccentric, being different, being alive.

They’ve since taken the video link to the scene down, but here is the text of Chris’s speech:

“I’ve been here now for some days, groping my way along, trying to realize my vision here. I started concentrating so hard on my vision that I lost sight. I’ve come to find out that it’s not the vision, it’s not the vision at all. It’s the groping. It’s the groping, it’s the yearning, it’s the moving forward. I was so fixated on that flying cow that when Ed told me Monty Python already painted that picture, I thought I was through. I had to let go of that cow so I could see all the other possibilities. Anyway, I want to thank Maurice for helping me to let go of that cow. Thank you Maurice for playing Apollo to my Dionysus in art’s Cartesian dialectic. And thanks to you, Ed, cause the truth shall set us free! And Maggie, thank you for sharing in the destruction of your house so that today we could have something to fling. I think Kierkegaard said it oh so well, “The self is only that which it’s in the process of becoming.” Art? Same thing. James Joyce had something to say about it too. “Welcome, Oh Life! I go to encounter for the millionth time the reality of experience and to forge the smythe of my soul the uncreated conscious of my race.” We’re here today to fling something that bubbled up from the collective unconsciousness of our community. Ed, you about ready? The thing I learned folks, this is absolutely key: It’s not the thing you fling. It’s the fling itself. Let’s fling something, Cicely!”

I am at such a loss for words here. Philosophy, art, existentialism, Monty Python, breaking stuff, the collective unconscious, James Joyce, Kierkegaard, catharsis, groping: these are a few of my favorite things.

A couple years ago, I scarfed up the whole series of Northern Exposure on DVD. I put it on this morning at 4-ish a.m., with a cup of coffee and began the series again from the pilot episode. There is so much there. It inspires me, makes me laugh, makes me think. And though it is a TV show about a place that doesn’t really exist, it rekindles my urge to go stand in Alaska, to hike there, to trail run there, to stay in a cabin, to drink beer in a tavern, to imbibe the spirit of the place.

It’s the groping. It’s the fling itself. Let’s fling something!


Originally written and published on Dec. 18, 2014, on The 4-1-Run.