cataloging gratitude: half dirge, half disco

“Unabashed” is a word we might get to know better. It’s defined different places as “not embarrassed, disconcerted, or ashamed,” and “undisguised, unapologetic.” It’s a word that is tough to live into for thoughtful, humble people who are concerned how people might take what they think or feel. Unfortunately, the flipside is that there are plenty of thoughtless people for whom being unabashed comes easily.

I am grateful when I get reminders to pick up favorite books of my shelf and re-read them. Dorchester County Public Library gave me my most recent reminder when they promoted a program for Ross Gay’s book “Catalog of Unabashed Gratitude” (really such a great title, without even reading the book).

DCPL is working with the National Endowment for the Arts #BigRead program for an event at the Dorchester Center for the Arts on Tuesday, July 18 at 6:00pm. Here’s the blurb for “Catalog” that they pulled from Google Books:

“Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.”


A community orchard in Bloomington, Indiana, informs Gay’s take on gratitude, together with his experience gardening.

“…In this neck of the woods you have to prune
a peach tree if you don’t want the fruit to rot, if you don’t want
all that fragrant grandstanding to be for naught.”

He mourns the life cycle and necessary work to a tree in his poem “the opening” and continues:

“…This is how, every spring,
I promise the fruit will swell with sugar: by bringing in the air and light–
until, like the old-timers say, the tree is open enough
for a bird to fly through.”

And he talks about two cardinals and a blue jay flying through and a little grayish bird that sings a song “half dirge, half disco.” There is maybe one of the best and most memorable descriptions for a life fully felt and fully lived, “half dirge, half disco.”

I’m a fan of sunrises and sunsets. I will stop what I am doing, turn away from a conversation (though generally I am still listening) to take in those fleeting moments. The fact that they are only there for a few minutes is what makes them beautiful. You have to catch them as they happen–you can’t tell a sunset you’ll get back to it, or ask it to hold on. You’ve got to give it your full attention. Appreciate the whole scene and everything going on around it. Drink it in.


Life is that way. It is full of moments and if we want to live it to the fullest, we have to pay attention to all the moments we can.

In the title poem, “Catalog of Unabashed Gratitude,” Gay says:

“Thank you to the woman barefoot in a gaudy dress
for stopping her car in the middle of the road
and the tractor trailer behind her, and the van behind it,
whisking a turtle off the road.”

And I think of so many of my friends who do that and fill the social media feed with turtle rescue photos and every single one of them gives me a little hope for humanity. Even though after we stopped to move a turtle on the way to Hoopers Island a couple weeks ago, the truck going by didn’t much appreciate the effort. It’s all part of it.

I have so many lines and parts and images from Gay’s catalog underlined and tucked into my heart, I hardly know what to share. But I like this notion of community:

“we dreamt an orchard that way,
furrowing our brows,
and hauling our wheelbarrows,
and sweating through our shirts,
and less than a year later there was a party
at which trees were sunk into the well-fed earth”

Dreaming together, thinking together, cultivating together, working together, celebrating together. I just finished re-reading Gay’s catalog. If you want to get a different, deeper, more inclusive picture of what we can be grateful for, give it a read. DCPL can help you to that end. And maybe come out for the program at the Dorchester Center for the Arts–I have found that my appreciation and perspective for every book I have read and been moved by has deepened from discussing and sharing and listening to what others have taken from the same book.

In the meantime, I am going to pick back up Gay’s “Book of Delights,” his record of small joys that are so easy for us to overlook. And I’m going to continue to try to bring gratitude to each day, unabashedly, sharing as much as I can, one sunset, one moment, at a time.

He Speaks in Silence

Much of this spring has been scheduled, busy, on the move. All to the good, but jam packed with it. And so it has been the unscripted moments that stand out.

Tucked into our readings for an Old Testament class at Christ Church Easton, was this wisdom from 1 Kings 19:11-13:

Now there was a great wind, so strong that it was splitting mountains and breaking rocks in pieces before the Lord, but the Lord was not in the wind; and after the wind an earthquake, but the Lord was not in the earthquake; and after the earthquake a fire, but the Lord was not in the fire; and after the fire a sound of sheer silence. When Elijah heard it, he wrapped his face in his mantle and went out and stood at the entrance of the cave.

When Elijah hears the sheer silence, he knows God is about to speak to him. It strikes me as absolutely and beautifully profound that he lets the pyrotechnics of the wind, earthquake, and fire go by, but knows God in the silence. He speaks in silence.

It was this time last year that Jim Harrison died. He has been a literary and life hero/model of mine for 20 years or so, and I have been thoughtfully and randomly reading in his books, “The Shape of the Journey” and “Songs of Unreason” since. I came across this last week in the latter:

Don’t bother taking your watch to the river,
the moving water is a glorious second hand.
Properly understood the memory loses nothing
and we humans are never allowed to let our minds
sit on the still bank and have a simple picnic.

Sitting on the still river bank for a simple picnic. Again it’s the stillness and the silence that houses the profound moments. Where we let ourselves catch up.

Running has always been a listening time for me. Even with music playing into headphones, there is a stillness and silence in the motion and the head space that I crave. I have been on the shelf from running this winter, but managed to sneak in a couple five mile runs of late, unscripted, unscheduled, when time and weather have cooperated.

Tuesday was one of those days. After picking Anna up from lacrosse practice, I ran around Oxford, watching as the sun wound down, then grabbed the girls and Harper and hit the Oxford Park to catch the sunset. The clouds got the better of the horizon, but it didn’t matter. It was getting off script, taking advantage of an evening, making a few moments.

Life has its landmarks–those big, defining moments that we measure and remember. God is in the majestic, the heroic, the can’t miss pyrotechnics that leave us in awe.

But I’m trying to cultivate and make the most of the in-between times, unscripted, still. Those times when He speaks to us in silence.

Storing Up, Finding My Way

I knew it was coming. Sometimes catharsis taps you on the shoulder, sometimes you run square into it, head on. Sunday we were waiting for each other.

My runs this summer have been five to seven miles, at a quick-for-me pace. It’s felt good to push and see how I respond. Sunday morning was the first group run I had done in a while. We started out slower, so I decided to run further. It was hot. I wasn’t planning to run so far, but the reckoning was there. I ran for about eight miles with someone faster than me, until I decided to drop off.

I found my quiet spot. My longest run of the year, at a pace too fast, undertrained, on a heat advisory day. I had reached a point where I knew I needed to draw spiritual blood; to push, to suffer; to get everything out; to find that place on the other side of daily life, on the other side of sweat and tired, that only running can take me.

In that place, I found a me I had let go for a bit. We stared each other down, smiled, and then got inside out of the heat. I am a glutton, not dumb.

Herb Elliott quote

Herb Elliott is responsible for one of my favorite quotes. I have written it in notebooks, posted it on the fridge, put it on bulletin boards. Sometimes I have to go back to it. I don’t think a race has to be a race, it can be life.

It’s time to store up. I’ve been antsy for a road trip, but this isn’t the same thing. It’s a gathering in; a collecting.

The hut at the top of the page is called Fossickers Hut, in New Zealand, I found via Cabin Porn. I don’t need to go there (though I wouldn’t argue), but need to find/make that space. To feel it, so that I remember the me that running brings me back to; that writing brings me back to. Sometimes I don’t realize I’ve stepped away, then look around. And have to find my way.

It was a long day, of early morning field hockey practice and watching Anna tough out a 7am practice when feeling like crap the whole previous day, and working through it. And being impressed by her fortitude. It was scrambling home after a late meeting, grilling dinner, and laughing with the girls over mindless dinner humor. It was walking outside after cleaning the kitchen, seeing the sun setting, and color and clouds, and reading the clouds differently.

Clouds come floating into my life, no longer to carry rain or usher a storm, but to add color to my sunset sky. – Rabindranath Tagore, “Stray Birds”

Clouds add depth and shape. They shade us from the sun. They add color to sunsets and sunrises.

2016 sunset clouds