memories | Michael Valliant

Life in Three Books

Books are time travel devices on their own. But when you take a book off your shelf that you have read, all kinds of associated memories come rolling back. Re-reading three books this week, weaving in and out of time, life comes up.

I first learned about T.H. White’s novel “The Once and Future King” from one of the X-Men movies where Patrick Stewart as Professor Xavier has his students reading it (that was X2 in 2003). I’ve loved King Arthur stories and legends since I was a kid–when I was 9 years old I named our new Golden Retriever “Morgan” after King Arthur’s devious half-sister Morgan Le Fay. So it didn’t take much prompting, finding out White’s novel was a modern, moving, funny re-telling of the Arthur story, I was all in. My brother-in-law mentioned he’s given more copies of that book to people than any other book and he named a bearded dragon King Pellinore after White’s version of the character.

Merlyn is phenomenal, from his physical introduction in the story, to his life philosophies:

“The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”

Learn why the world wags and what wags it.

I’ve started the book maybe three times over the years, read 100+ or 200+ pages and life has happened in a way that has made me put it down, despite being drawn in.

2018 was the last time I tried to make time to read “The Once and Future King.” I found a note I left myself on page 154–that is where I stopped. This past week, studying the Pre-Reformation Church in England for seminary, Sir Thomas Malory’s “Morte D’Arthur” was discussed and a quick line about White’s updated telling. That was enough to motivate me. I started again and knocked out 30 pages this morning, making a goal to finish it before the end of the year.

Photo from Smith reading from “Life on Mars” at “The Universe in Verse” with Maria Popova.

Sitting on the campus of the National War College in DC 10 years ago, I read Tracy K. Smith’s “Life on Mars” on my lunch breaks. It won the Pulitzer Prize for Poetry. My mind was thrown open and my jaw was frequently dropped while reading.

My friend John Miller and I are going to lead a discussion on Smith’s book in January and February for Chesapeake Forum. I grabbed my copy from the bookshelf in my bedroom and the bookmark I had in the book was my ordering receipt from Barnes and Noble, May 2012. I have lived in three houses since the house it was delivered to.

This morning I read this, from the poem, “My God, It’s Full of Stars”–

…I want to be
One notch below bedlam, like a radio without a dial.
Wide open, so everything floods at once.
And sealed tight, so nothing escapes. Not even time,
Which should curl in on itself and loop around like smoke.

Reading today, what I read 10 years ago, finding the receipt with an old address on it from what feels like a different life, time did curl in on itself.

“My God, It’s Full of Stars” is how I feel every time I look up at a clear night sky.

The last book doesn’t go back so far, but it washes over me in new ways each time I read it. I found Rowan Williams’ “Being Christian” in 2019 and have led three classes using it for perspective on what the things we do as Christians are all about. This fall we have 20 people in our newcomers class at Christ Church Easton, a new group of folks wading through Williams. Last week, we talked about baptism, but the former Archbishop of Canterbury goes deeper than most of us go. He talks about how we have lost our identities, we have let go of them. Our default settings aren’t the way they should be. Enter Jesus.

“And when Jesus arrives on the scene he restores humanity to where it should be. But that in itself means that Jesus, as he restores humanity ‘from within’ (so to speak), has come down into the chaos of our human world. Jesus had to come down fully to our level, where things are shapeless and meaningless, in a state of vulnerability and unprotectedness, if real humanity is to come to birth.

“This suggests that the new humanity that is created around Jesus is not a humanity that is always going to be successful and in control of things, but a humanity that can reach out its hand from the depths of chaos, to be touched by the hand of God.”

Baptism is going down into the chaos and coming up as new people, in a new relationship with God in Christ. Not as perfect or flawless, but one where we can reach out to be touched by God. That’s not generally what we think about when we attend a baptism, though it’s all right there in the vows.

Williams has this wonderful way of looking at the kind of life that is begun anew through baptism:

A life that gives us resources and strength to ask questions; a life that reconciles and builds bridges and repairs broken relationships–a life that reflects God’s wisdom and order. That sounds like a life worth living.

My mind moves forwards and backwards in time re-reading books, wandering through memories, and leaning into both goals and daydreams. “Once and Future,” stands out as a phrase that touches on something about that.

For those of us who have been in and around Easton for any time, Waterfowl Festival is an event that moves in both directions as well. As a kid, I watched my mom cut greens and decorate buildings and saw my dad cooking and serving food with the Kiwanis Club in town. Over the years, it’s been a fun reason to either walk through town as a spectacle, or avoid town altogether.

For the past six years (of my life, the church has been doing it much longer), Waterfowl Festival has meant Christ Church coming together to decorate, to serve food, to be together, to raise funds that go back out into the community, where they are needed. That points to Williams’ idea of a communal life that “looks toward reconciliation, building bridges, repairing shattered relationships.” It’s a step in the right direction. It’s among the work we are sent out to do.

Can the fishes see it’s snowing?

The Christmas story I re-read every year has firemen and a house fire, snowballs waiting for cats, mentions of wolves, postmen, a celluloid duck, and a possible ghost joining in for caroling. And it’s all true. Or at least remembered true.

Dylan Thomas’s “A Child’s Christmas in Wales” is the kind of opening of nostalgic floodgates you expect from a poet’s vivid and quirky memory. And what he remembers aren’t gifts (those get a comic couple paragraphs) but the experiences he had, what he and his friends got into, uncles and aunts visiting, and what the town looked and felt like in the snow.

As Thomas and his friends walk in the snow along the shore, trying to decide what to get into, someone asks, “Can the fishes see it’s snowing?” Maybe those are the moments of true and honest friendship and the things we build our memories around.

Christmas is certainly a time when nostalgia hits us over the head like a cartoon wooden mallet, this year especially. I stumbled across this piece I scrawled out a couple years ago and if nostalgia is the path you want to run down, it might walk there with you. As I sit here with waves of Christmas memories crashing over me, I have written about for 30 or so and thought about Christmases past for maybe 45 years (the memories had to build up for the first three). I find myself coming back to the same thoughts, the same books, the same memories, and the same themes.

Clark Griswold understands the pressure of trying to create and re-create the perfect Christmas.

I’m thinking about the pressure we put on Christmas–finding and buying the perfect gifts, wanting to create the perfect memories for our families, wanting to get past the commercial and to the spiritual, communal aspects of Christmas. And I think about the fact that my Christmases as a kid are vivid memories, then not much to call up in my teens and 20s. Thinking about Christmases having young kids, crystalline again, and now the girls are well into their teens, into the age of unmemorable Christmases. And maybe I am caught in a place where the next memorable Christmas won’t be until there are young kids in the picture again (which I hope is a good ways off…).

But maybe that’s the key. Not young kids, but seeing things with eyes like that again. When he picks what memories to share, Dylan Thomas goes back to when he was a child. Because that’s where the vivid memories are; that’s where his eyes were fresh and impressionable. Maybe that’s what I/we need, especially during a pandemic year when I know my family won’t be gathering on Christmas Eve or Day.

Looking with the eyes of a child.

In his book, “Love Is the Way,” Michael Curry, Presiding Bishop of the Episcopal Church, writes:

“Jesus said, ‘Unless you change and become as little children, you will never see the kingdom of heaven’ (and thinking on a lecture he attended by Terry Holmes, Bishop Curry continues)… children have vivid and boundless imaginations. They dwell happily in that space between fantasy and reality. Theirs is often that land of the fairy tale, the cartoon. They fantasize, they imagine, they dream. I think Dr. Holmes was right. To behold the reign of God, the perfect realization of God’s peace, God’s shalom, God’s salaam–the dream of God–we must become as little children. We must imagine and… dream.”

I was talking to a friend recently about that exact thing, how Buddhists use the term “begininer’s mind” and Jesus talks about seeing with the eyes of a child. If re-think where I am right now and go back to my surroundings, I smell the evergreen/fir smell of the Christmas tree; I see the white lights on the tree that the girls asked for this year to replace the rainbow lights that I generally use to conjure up trees from my youth; I can smell and taste the coffee, which makes me think of my grandfather this time of year. I can see the cat and dog half-sleeping on the couch, waiting for movement toward the kitchen.

We’ve always got all the tools we need to build the perfect Christmas. If I choose to focus on sitting down to have a Sunday afternoon lunch with people I love rather than looking at what I find or don’t find shopping, I am creating the right kind of memories.

This isn’t a post about what Christmas is or what it means, but more about what lenses/eyes we use to approach the whole experience.

Our dog gets up and runs to the door or window every time the same neighbors walk by. It’s a new experience for her every time. Even she has the child-like enthusiasm and wonder idea down. I can learn from her example and reminder.

If I am open. If I see with the eyes, imagination, and wonder of a child. Maybe I won’t be stuck having a conversation with the ghost of Christmas past. Maybe I will be in the moment, caught up in wonder and conversation, and I can again ask questions like, “Can the fishes see it’s snowing?”

Gratitude and Grace

Maybe you have these moments. Sitting in the back yard by a fire. The night sky is clear and stark and full of stars, even with light pollution from the town. It’s the end of a long day and my birthday, so it’s a day where memories are ripe, just below the surface, and waiting to bubble up.

Deep breaths, easy smile, a moment of clarity. Sturgill Simpson plays at low volume on the bench next to me.

Moments and memories extend and swirl and I feel like every second of my life to this point, every person I have met, every setback, every success, every heartbreak, everyone and everything I have ever loved, every bit of pain felt, every joy, every experience, all add up to and come together in this one moment, the present moment, and all of it, every bit of it, is gratitude.

And what it looks like is tears running down my face, with no attempt to stop them, because I know I haven’t done anything to deserve any of it; that it’s a gift that I can never repay, all I can do is be in awe of it; all I can do is start to put my finger on it.

But I know what it is.

It is grace.

It’s grace that even though I mess up and do the wrong thing, even though I lose my temper, I can sit under this incredible sky and find solace and a reset button. I can try again.

It’s grace that getting lost in the enormity of the night sky, that I am here and that there is place for me in all of it.

It’s grace that the sun comes up and there is another day and a chance for something new–that I’ve never seen or thought about or encountered before.

Grace maybe begins when we remember. We remember and are grateful for this gift that we can’t earn, but which ought to shape who and how we are in the world. It’s a gift that isn’t for us to to keep to ourselves but to try to extend to someone else.

“Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God’s grace to me is that my brokenness is not the final word … it’s that God makes beautiful things out of even my own [stuff].
Nadia Bolz-Weber

I sit in the back yard, next to a fire, under an expansive night sky, and memories and people and life dance with the stars and the flames. Stories swim in my head and they all rise to the sky.

If “prayer is the raising of the heart and mind to God,” (Baltimore catechism), then this fireside chat is prayer, maybe the best kind.

I think of Meister Eckhart, who said, “If the only prayer you said was thank you, that would be enough.”

Thank you.

Maybe grace begins with gratitude.

Carlos

When you lose a pet, what you have left is memories, stories, and love. For the girls, their two Humane Society adopted cats, Carlos and Sesame, have been with them since Anna (now 17) was in kindergarten (Sesame) and then a year later for Carlos (we kept the names they were given at the shelter). The cats have been to different houses, have been dressed up, played with, harrassed, and loved on for a good while. Carlos passed yesterday. I always dug his name because it reminded me of a favorite writer, William Carlos Williams. When he was an indoor/outdoor cat, he was a collector of critters, which he loved to bring in the house and show off.

He had a chilled-out personality. One of the ways I connected to him was being able to find him when he either got stuck somewhere or decided to go on a walkabout. I once came home from a vacation in Ocean City after he had gotten out from friends watching him, and managed to find him in the woods. But a memory that sticks out was one that I wrote about 10 years ago. So I am moving that memory here, told in the same language. Memories, stories, and love remain.

Banging the Plate

December 15, 2009

When our cat wanders off we go outside and bang the plate. Like ringing a dinner triangle, he generally pops out from a neighbor’s yard and cruises home.

So banging the plate calls back lost things. Boomerangs a cat with wanderlust. For me, it has become a bell of mindfulness inviting me back home as well.

Up until Sunday/Saturday, banging the plate has generally worked. It can take a little time and it might be towards midnight, but he would appear out of the chilled dark ready to come in.

Saturday night/Sunday morning, nothing. The cold is kicking, rain is imminent, it is 12:30am. I’m beat and need to sleep, no cat. So he’s out for the night.

Cats being stubborn, free-spirited, strong-minded, “in-de-pen-dent” (it is Christmas/Rudolph time, after all), a cat could quite easily play the role of Muse. The artist/writer has to invite the muse back, bang the plate to get it to come home to the house he or she has built for creating their particular art. And we’ve all got those plate-banging activities that we use to call them. Writing in a particular kind of notebook, particular time of day, specific kind of pen, or place in the house. We bang the plate to get the Muse to come sit with us. We hope that it works. And when we find something that works with success, we stick to it. In some cases, we may hang on like crazy even at the risk of choking it. Note: don’t choke the Muse!

Sunday morning, I’m banging the plate in the rain. I’m wandering the cul-de-sacs of our neighborhood. I’m up and down the streets and sidewalks of the cat’s normal haunts. Nothing. Occasionally I think I hear a faint meow, but birds and rain and sounds are having their way with my imagination. False cats.

We’re on towards 11am. It is obvious I need a new approach. Other than a raincoat, I’m not dressed for mucking, but I walk up through one of the cul-de-sacs near Rails-to-Trails that leads up a flooded, grassy path. This isn’t where he goes, but nothing has worked so far. I bang the plate.

There is a faint trailhead, off more toward the field and back toward our side of the neighborhood. More flooded, but it gets me back closer to home anyway. I bang the plate. I come out in the field nearer to our house. Boots and jeans soaked through, but not cold. Nothing to lose. A hunch coming from the gut.

I cruise through ankle-deep water and mud of a flooded field and walk up a wooded path behind the houses across the street from us, between our neighborhood and Route 50. This is his stomping grounds. Where he likes to hang. But there is a lot of ground to cover and he’s one cat.

At this point, I’m not really driving with my head. It’s more intuition, and I’ve been putting myself in his eyes, where he’d likely go, what he’d do. It’s new territory. Off the paved streets and sidewalks, into the muck of fields and woods during a soaking rain. I bang the plate.

After playing hunches and letting the gut drive, I wander next to the woods for maybe a minute, banging the plate, when I hear a high pitched meow (he was neutered early) and see his familiar gray and white prance pop up over brush and out of the trees. Ankle-deep flooded fields, are not a cat’s idea of a way home. I scoop him up and cruise back to the house.

My old notion of banging the plate didn’t cut it. I couldn’t just go through the motions to bring him home. But Sunday’s experience opened up a whole new level of following the gut, intuition. I was sort of following blindly and trusting, but at the same time, intensely aware and alert. The process led me right to him. And thinking on it, he was likely lost and not willing to walk through the deep water necessary to get himself to familiar turf. Going to him was likely the only thing that would have found him.

So I think about the new version of banging the plate. And I think about it in terms of the Muse. And how to invite it back, but also to trust and follow the gut as to where and how to seek it out, when it takes more than just showing up. When the process deepens.