Jim Harrison | Michael Valliant

Writing as reckoning

Jim Harrison writes like he is reckoning with life, death, love, God–you name it. He writes like his life is on the line, his soul is trying to come out through language–that’s how much is at stake.

His “Essential Poems” book frequently travels with me. This morning it was:

“The stillness of this earth
which we pass through
with the precise speed of our dreams.”

that washed over me, from Harrison’s poem, “Returning to Earth.”

“I Believe” is a manifesto of things in the world that he puts faith in.

Steep drop-offs, empty swimming pools, raw garlic, used tires, abandoned farmhouses, leaky wooden boats, turbulent rivers, the primrose growing out of a cow skull. What a list! These are things I know I believe in as I read his list because each thing comes powerfully to mind–smells, pictures, feelings. This is a list of beliefs that come from experience and hard-nosed reflection. Everything on it has passed the test.

Reading Harrison calls me to write things that absolutely have to be said–something relevant, something that is working on me and that has to come out or risk burning my soul, not an academic or intellectual game, not something that sounds nice or clever–something that comes out of an ongoing wrestling match or dance or conversation with the Spirit.

This a Mark year for the prescribed church readings–most of the Gospel readings this year come from Mark’s account of the good news. For Palm Sunday our in-person services did a dramatic reading of Mark’s account of the Passion (Last Supper, betrayal, arrest, crucifixion, death and burial–the suffering) of Jesus, with readers playing different parts. On our Zoom service, we divided up the reading between a few of us. Mark’s Gospel is the shortest of the four, the writer doesn’t add fluff or niceties, there is no birth narrative, no Christmas, and the account ends with women running bewildered from an empty tomb. Reading Mark’s Passion account, he doesn’t stop to answer questions, he leaves those up to us to ask, wrestle with, and answer.

I think the writer of Mark and Jim Harrison would get along. Both of them had stories they had to tell. Holy Week, the week leading up to Easter, is full of those kind of Jesus stories. It moves me more than any other week of the church calendar. This Friday evening, Good Friday, we will have a service built around the seven different last words/phrases attributed to Jesus in the different Gospel accounts of his death. Then someone will respond–something spoken, read, sung–hopefully pulling those in attendance into the story.

The Gospel writers chose to write down a story that was being told orally, for fear of losing it. They knew it was too big to risk letting it go. And each of them went about it a bit differently, each giving something of themselves and their reckoning with the good news and the Spirit.

When I read Harrison’s poetry, I know that what he is saying is vital to who he was. It conveys what he loved, what he struggled with, what he laughed at, what he cried over, and what lit up his sense of wonder; the curiosity that was in his bones. He was a rough outdoorsman who lived on a farm in Michigan near where he was born. He fished, he ate, he drank, he traveled–he lived.

I hope I can find the words, the pictures, the moments in my life where I connect to love, to wonder, to Creation, to God and to the story of God and humanity that is unfolding through all of us and transform and transmute it all through the right words.

I hope you find your own moments and experiences and transform them into your own art–whether dance, song, painting, poem, carving, or your life itself as a work of art. God is a creator and we, in God’s image, are also meant to create.

One of my favorite lines of writing comes from the beginning of a Harrison poem called “Tomorrow,” where he talks about being blindsided by a new kind of wonder, the kind we haven’t experienced before. He writes:

“I’m hoping to be astonished tomorrow
by I don’t know what”

The stars or the sunrise or sunset reflecting off the river; the smell and feeling of earned sweat; how excited your dog is when you walk in the door; a book you can’t put down or stop thinking about; the first sip of coffee or tea in the morning; jumping in the river, lake, or ocean when it’s colder than you expect; the memory of someone who shaped you; a conversation with someone you love when you don’t know what either of you will say next; an answered prayer; exploring somewhere you’ve never been; sacrificing something important for someone else–someone else sacrificing something important for you; knowing in your heart, soul, and bones that you are loved.

I’m hoping to be astonished tomorrow by I don’t. know. what. And I believe.

Quarantine All-stars

I’ve come to realize that living life in quarantine isn’t that much different than my daily life. Less nature than I would like, and my work schedule may actually be busier working from home, but on the whole I dig being at home. In the case of the Coronavirus and everyone being home, and teenage girls having to change their mindset; and just the general mental and emotional uneasiness of a global pandemic, there is something different afoot.

When we look back, everyone will have different things that buoyed them, or helped them re-acclimate, helped them connect. So I thought I’d look at some of my quarantine all-stars to date.

You can’t overstate the importance of music. I concur with Friedrich Nietzsche when he wrote, “Without music, life would be a mistake,” and Kurt Vonnegut who said his epitaph could say, “The only proof he needed for the existence of God was music.”

I am a fan of Nathaniel Rateliff and the Night Sweats. I’ve dug hearing them on 103.1 WRNR. Hearing the title track from his new solo album, “And It’s Still Alright” on the radio, I’ve always let it play. Then multiple people started weighing in with how good the whole album is. Rateliff started writing the album at the unraveling of his marriage and later had to get through the death of a close friend. From his website, talking about the album, and how he worked through what the album wanted to be:

“out of his restless subconscious, helping him address some big life questions — the ones that have stumped philosophers, statesmen and profound thinkers since time began, exploring the unsteady terrain of love and death. But in the end, what he really was doing was creating an homage to his friend.”

It’s an album about questions; it’s an album about getting through things; it’s an album with lines that stick in my head, such as, “If the world goes strange, its dying flames / Would light the end of the last morning.”

Questlove, live from his house, paying tribute to Bill Withers.

A different take on quarantine soundtrack has come from Questlove of the Roots. With the band staying home, Questlove has been holding DJ sessions from his house, raising money for different causes, and paying tribute to eras of music, with his Native Tongues Review, and to Bill Withers who just died, with Bill Still. I am telling you, if you want to put something on in your house and let it play for a couple hours, Native Tongues brings back an era of hip hop with A Tribe Called Quest, De La Soul, the Jungle Brothers, you name it, some formative bands, and just blending it altogether. And Bill Withers, man, the whole session is just smooth and flowing and feels good.

I’m used to Questlove being the drummer and front man for one of my favorite bands. He’s written books and been featured in great articles, and this social media scholar and DJ is just another aspect of a guy who carries the cool banner for this, and other eras.

From music to movies. I’ve watched Rian Johnson’s “Knives Out,” multiple times now. I didn’t catch it in the theaters, so one night I kicked back and pulled it up at home. And I knew I needed to check it out again. So a few nights ago, I pulled my daughters into the next screening. Both girls loved it, Anna (18) said it was the best movie she’d seen in a long time, and maybe one of her favorites. It’s a great whodunnit-typed movie; it’s got James Bond (Daniel Craig) and Captain America (Chris Evans), who play roles nothing like their famous characters; and as someone who likes to figure movies out, even when halfway through the movie you think you know everything, you don’t. Not even close.

Screens certainly dominate media these days. And I am psyched that “Cheers” is now on Netflix; “The Office” is a constant connection, time-filler, and connector between the girls and I, who quote it back and forth frequently; and I have them part-way through the series “Lost,” which was a favorite show of mine while it was on TV.

You know I have to finish with books. We have had substantial reading going with work–studies of John’s Gospel, which started last October, a quick devotional through Matthew’s Gospel for Lent, and looking for our next online classes–but in this case, I am looking at the just for fun reading.

On the graphic novel front, Kieron Gillen’s “Once and Future” plays King Arthur’s legend into our modern world, which is a trippy, mythical, re-imaging as a kind of ghost story. I ate Arthurian legend stuff up growing up (named our Golden Retriever “Morgan” after King Arthur’s sister when I was nine) and Gillen has become a writer who I try to read about everything I can from. Christian Ward is known as an artist, but is trying his hand at writing and in Machine Gun Wizards, he looks at Eliot Ness and prohibition, but if prohibition was outlawing magic, not booze. And what can I say about Neil Gaiman’s “Sandman,” which was cited as one of the 100 best books (not graphic novels, books) of the century. It bears reading and re-reading. And since a friend and I are currently taking Gaiman’s masterclass on storytelling, this seemed like a great time to dig back into the world of dream and open my imagination.

I’m 180-something pages into Emily St. John Mandel’s “Station Eleven,” which we will be doing an online/Zoom book club for in the very near future. I am having a lot of fun with it. It’s set after the collapse of civilization due to a global pandemic virus. This is one of the blurbs that pulled me in:

“An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.”

A motto of one of the main characters is “Survival is insufficient.”

Sometimes when we enter new territory, it’s not novelty we need, but familiarity. We need something to ground us and help us get our footing. I’ve written a lot about Jim Harrison, who I consider one of the writers to have the biggest impact on me, both through his writing, his persona, and how he lived his life. And despite having written numerous great novels, novellas, and short stories, it’s often his poetry that I end up keeping nearby.

I was reminded recently of Harrison’s poem, “I believe.” He lists things he believes in, which include: steep drop-offs, empty swimming pools, the overgrown path to the lake, abandoned farmhouses, gravel roads that end, leaky wooden boats…”

You know what? I’ll let you read it for yourself, noting that the poem ends with “struggling to stay alive in a world that grinds them underfoot.” Let me just say that music, movies, books–these thinks aren’t just diversions that distract us from what’s going on in the world; instead, they are connection, connecting us to the artists, connecting us to something bigger than ourselves; connecting us to each other through music, art, and stories; and in the process of creation, connecting us to God.

We tell stories

Jesus told stories. That’s how He taught. Because He knew people wouldn’t remember just facts. He told stories that stuck. Parables that people had to think about; that planted seeds, took hold, and grew in hearts, minds, and souls. And when it came time to remember Jesus, it was His stories that got written down so that we might know them (and Him through them) as well.

I love thinking about people gathering around as Jesus got rolling. You can kind of see the 12 looking at each other as He got going and thinking, “Ah, yep, the sower story again, I dig this one,” even though they’d heard it and probably still hadn’t gotten it. Jesus knew people would keep telling His stories, and His story; He counted on it. It’s why he walked the 12 through them; it’s why the Gospel writers went to so much trouble to write them down; and it’s why there are four separate Gospels, not just one condensed version. Telling the stories matters.

Stories last. None of us know Homer or Mark Twain, but we may know something about The Odyssey or Huck Finn. And likely they would rather us remember their stories than themselves. We may have never met Martin Luther King Jr., but we know his story and some of his stories. Neil Gaiman, a favorite modern day storyteller of mine, gets it:

“Stories, like people and butterflies and songbirds’ eggs and human hearts and dreams, are also fragile things, made up of nothing stronger or more lasting than 26 letters and a handful of punctuation marks. Or they are words on the air, composed of sounds and ideas–abstract, invisible, gone once they’ve been spoken–and what could be more frail than that? But some stories, small, simple ones about setting out on adventures or people doing wonders, tales of miracles and monsters, have outlasted all the people who told them, and some of them have outlasted the lands in which they were created.”

Our lives and thoughts are shaped all around by stories–our own stories, our families’ stories, and the stories we identify with. I loved being around our cousin Doug Hanks Jr. when he held court at Schooner’s Llanding, or at the Tred Avon Yacht Club, or at family parties. Even after his mother’s funeral, back at his house, telling stories of her life that had a crowd both laughing hysterically and realizing what a unique character was “Mary Hanks of Oxford.” I miss Doug’s stories and his storytelling and the way he made us all feel when he told them.

Jim Harrison is a favorite storyteller of mine. I never got to meet him, but I will be forever moved and shaped by some of his stories and poetry. He wrote that, “Death steals everything except our stories.”

I dig this story of a writer getting to know and remember him after an article:

“…we sat on your porch in Patagonia, watching you watch birds. There were hundreds of them, and you knew their names, rattling one off every now and then between long, choking drags of your American Spirits… you were gracious in the retelling of your wildest stories… you wrote from your bones, your marrow into poetry, novellas. And you made me believe that there was something to writing. That storytelling really was something romantic, magic even.”

If there is magic in stories, it is in how we remember them and how we connect to them. When we hear the stories that move us the most, it is not just because we connect with who wrote it, but because what is said speaks to us, becomes part of us. In our stories, we learn who we are; we are able to speak it and understand ourselves better. Our stories connect us, teach us, inspire us, and help define us.

What we hear in the stories that matter the most to us, is who we are.

“If a story is not about the hearer he will not listen… a great and interesting story is about everyone or it will not last.” – John Steinbeck, “East of Eden.”

He Speaks in Silence

Much of this spring has been scheduled, busy, on the move. All to the good, but jam packed with it. And so it has been the unscripted moments that stand out.

Tucked into our readings for an Old Testament class at Christ Church Easton, was this wisdom from 1 Kings 19:11-13:

Now there was a great wind, so strong that it was splitting mountains and breaking rocks in pieces before the Lord, but the Lord was not in the wind; and after the wind an earthquake, but the Lord was not in the earthquake; and after the earthquake a fire, but the Lord was not in the fire; and after the fire a sound of sheer silence. When Elijah heard it, he wrapped his face in his mantle and went out and stood at the entrance of the cave.

When Elijah hears the sheer silence, he knows God is about to speak to him. It strikes me as absolutely and beautifully profound that he lets the pyrotechnics of the wind, earthquake, and fire go by, but knows God in the silence. He speaks in silence.

It was this time last year that Jim Harrison died. He has been a literary and life hero/model of mine for 20 years or so, and I have been thoughtfully and randomly reading in his books, “The Shape of the Journey” and “Songs of Unreason” since. I came across this last week in the latter:

Don’t bother taking your watch to the river,
the moving water is a glorious second hand.
Properly understood the memory loses nothing
and we humans are never allowed to let our minds
sit on the still bank and have a simple picnic.

Sitting on the still river bank for a simple picnic. Again it’s the stillness and the silence that houses the profound moments. Where we let ourselves catch up.

Running has always been a listening time for me. Even with music playing into headphones, there is a stillness and silence in the motion and the head space that I crave. I have been on the shelf from running this winter, but managed to sneak in a couple five mile runs of late, unscripted, unscheduled, when time and weather have cooperated.

Tuesday was one of those days. After picking Anna up from lacrosse practice, I ran around Oxford, watching as the sun wound down, then grabbed the girls and Harper and hit the Oxford Park to catch the sunset. The clouds got the better of the horizon, but it didn’t matter. It was getting off script, taking advantage of an evening, making a few moments.

Life has its landmarks–those big, defining moments that we measure and remember. God is in the majestic, the heroic, the can’t miss pyrotechnics that leave us in awe.

But I’m trying to cultivate and make the most of the in-between times, unscripted, still. Those times when He speaks to us in silence.

Seasons, Journeys, Treasure

I dig the seasons changing. There is something to that elemental shift that stirs my soul. These warm days of walking home for lunch and feeling the sun on my face; longboarding to work; thinking about sunrise or sunset paddleboarding on the horizon; putting tomatoes in and mulching gardens; seeing the return of green grass. I’m looking forward.

This is maybe the first time I have fully paid attention to the changing seasons of the church: from Advent to Christmas, from Epiphany now into Lent, looking to the Passion and Easter. Another new thing for me is leading a small group as we journey through Lent.

At the Ash Wednesday service last evening at Christ Church Easton, Father Bill Ortt gave out some information on what Lent is all about. Among other things, I like getting into the word itself:

The word Lent is derived from the old English word “lente” meaning “Springtime” or “lencten” referring to the lengthening of the daylight hours. In the agricultural sense, it is a time when fields are prepared to receive the seeds for the crops to be planted. On a spiritual basis, we might look at it the same way. There is much work to do to break the ground compacted by the weight of the winter period of “death” and there are weeds and obstacles to remove. And yet there is good to be found in the preparations, because it is preparation for new life. In other words, this is more than a good thing.

Lent is a preparation. Lent is also a journey. Lent is a journey over a period of time, 40 days, and it is also a journey over the terrain of the soul.

This morning, thinking about journeys, I went back to a book I pick up a lot for those kind of travels, Jim Harrison’s “The Shape of the Journey:”

It is not so much that I got
there from here, which is everyone’s
story: but the shape
of the voyage: how it pushed
onward in every direction
until it stopped

It’s not the destination, it’s the shape of the voyage that defines it. And can define us. In Walter Brueggemann’s “A Way Other Than Our Own: Devotions for Lent,” he offers this prayer for today:

Self-giving God, call us to walk the road of
newness–a new self, a new society, a new world,
one neighbor at a time. May we have traveling
mercies this Lenten season. Amen.

We are each on our own journey. Some are fortunate enough to help others in their travels, some people help us along. Where our paths intersect, and where we can travel together, those are great times. This kind of trip can be lonely and rough and we need help.

The Ash Wednesday reading from the Gospel of Matthew had some really key traveling advice. Something we may want to take to heart. Matthew quotes Jesus, who talks about not storing up treasures on earth–material things, money, fame, success–but storing up “treasures in heaven,” those things that light the soul, that put us in touch with something bigger, that connect us to God:

For where your treasure is, there your heart will be also.

This Lent, this spring, as we set out on our journeys; may we find and store up the right kind of treasures and know our hearts; help our fellow travelers on their way; and all know traveling mercies, as Anne Lamott and Brueggemann call them, remembering it is the shape of the journey at least as much as the destination.

To Sit With a Dog

I lived with pets for the first 42 years of my life. I was preceded in my family by a grouchy, black cocker spaniel mix and a large Siamese cat. Dogs and cats were a part of life until separating in 2014, and rental agreements prohibiting pets.

Truth be told, at first I liked the quiet. And the clean. And not having to worry or be responsible for a pet. Daughters were enough. I was burned out.

But a funny thing happened in a quiet home. Quiet became silence. Silence became stillness. And home wasn’t home. There was a void. And the girls saw what it was before I did. They started asking to get a dog. As kids do. But I felt it. I am dense, but at some point it sank in. And our landlord agreed to allow a small dog.

We knew we wanted to rescue a dog, knew a bit what we were looking for, and through Operation Paws for Homes in northern Virginia, found Harper (named for Anna’s favorite athlete Bryce Harper and for author Harper Lee).

From someone who takes a philosophical approach to life, dogs teach us more about life and about ourselves than we ever teach them.

Dogs are our link to paradise. They don’t know evil, or jealousy, or discontent. To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring–it was peace. – Milan Kundera

When I walk Harper through town, just the two of us, something different happens to my mind. I am slowed from running, not in a hurry, and watching what she sees. Hopefully not a squirrel.

I need more “mindful” and less “mind full” in my life. And dogs can help get us there. Harper helps me get there.

Harper was found on the streets. She is skittish around big machinery; you can see some of what she’s been through. But at eight months old, she is one of the most chilled out puppies I’ve seen. And she puts smiles on the girls’ faces and laughter in their hearts in a way I haven’t seen in my house over the past two years.

Most everyone in our neighborhood knows Harper and speaks to her by name when they walk by and she’s in the yard.

She sleeps in the bed, against the back of my legs. On nights the girls are here, she often rotates sleeping with one of them. As I write, she is crashed out on her dog bed in the sun room. She is constant, consistent, boundless, loving unconditionally. Except maybe food and walks, those might be her terms.

There are days when I come home from work, and Anna or Ava will tell me that they took Harper for a walk around the neighborhood, and detail their route and what they saw. This has quickly become one of my favorite things.

I understand Jim Harrison when he says:

Barring love I’ll take my life in large doses alone–rivers, forests, fish, grouse, mountains. Dogs.

In our case, Harper has added something to our family that we couldn’t have found any other way.