dreams | Michael Valliant

Oneing Weekend: Let’s

I want to spend more time “oneing.” “Oneing” is a term the mystic Julian of Norwich used to describe the encounter between God and the soul. It’s a word and idea so meaningful to Franciscan Richard Rohr that he named the publication of his Center for Action and Contemplation “Oneing.”

It’s a feeling I get frequently when I sit quietly outside.

April 19

Skateboard, notebook, pen, binoculars, an issue of “Oneing,” reading an essay from Scott Avett of Avett Brothers fame about “Creating Faithfully.” On the shore of the river, purple flowers pull my attention until watching them and taking pictures and listening to the water, I just feel like an extension of the scene, part of it. A feeling of oneness.

Skating, gliding along pavement, has been a oneing experience for almost 30 years.

Around the Oxford Conservation Park, there are Eastern Bluebirds and I sit on a bench and watch a bluebird house where one flew out of and I read.

In addition to being a world famous singer, songwriter and musician, Scott Avett is a talented painter and a moving writer. His essay is on his faith and the creative process. He talks about contemplating Jesus’s identity and how Jesus knew exactly who he was, something most of us struggle with. Avett writes, “I think this truth alone, separates him from us. I can see how this knowing of who one is can be the most loving truth one can offer.”

He talks about going into the studio in solitude to create.

“This time alone is fertile ground where I cultivate my purpose. My contribution is my engagement in it. The studio is my cloister. To pray is to be drawn nearer to my existence. The only control I have is to show up and respond. I build from that simple idea… I long to create faithfully rather than successfully, productively, intelligently, or even truthfully. Creating faithfully is not knowing how to do it. It is believing that it is worth doing… With this, I replace the anxiety-ridden aspirations of arrival with peace in a true being. This is who I am in Christ and who Christ is in me… What a precious revelation. Simply put, to create faithfully is to be me.”

Avett arrives at this oneing through creating art. I read and sit with his words waiting on bluebirds, greeting walkers, dog walkers, and folks riding bikes as they loop the park.

April 20

It’s the last day of classes for our three-year Iona Eastern Shore seminary program, a day retreat at Old Trinity Church in Church Creek, which is about a mile down the road if you don’t turn left to go to Blackwater Wildlife Refuge. Seminary day retreats are the only reason I have been to Old Trinity, which is a beautiful church and campus. I smile that their parish hall is named “Valliant Hall.” I’ve now preached from the pulpit there twice in front of classmates and instructors, working on our homiletics.

On days when the weather is nice, I get there early so I can sit out on the dock or on a bench by the shoreline to pray, breathe, drink coffee. It’s another experience of oneing, of an encounter between my soul and God.

It’s the last time our class will be gathered together for the purpose of learning, when we are one in that way. We will graduate together on June 15.

April 21

Oneing is an encounter between God and the soul. But it can and does also include other people. According to Richard Rohr:

Julian of Norwich says, “The love of God creates in us such a oneing that when it is truly seen, no person can separate themselves from another person,” and “In the sight of God all humans are oned, and one person is all people and all people are in one person.”

We are connected to each other and we are connected to God and we can experience God in each other. In my experience, some people make us more aware of that connection, or more quickly and intuitively aware than other people do, and there are people who show and remind us of our own connection to God. Those are people to treasure and spend time with.

The first time I met Holly was on a retreat in late October 2017. Despite both living on the Eastern Shore for our whole lives, and having a number of mutual friends, we had never met. The first real conversation we had was a few weeks later at the Waterfowl Festival. We met for coffee a few times at Rise Up Coffee to continue our conversations.

In December we went for a five-mile hike together at Tuckahoe State Park, which we consider our anniversary. We walked in as two people and by the end of the hike, we were different, together. That was almost six-and-a-half years ago. Tuckahoe has been a holy, sacred, thin space for me since 2005, when I went trail running there. It is a place I called “church” long before I was going to church. Oxford and Tuckahoe are two places where oneing and walking are almost the same for me. Holly and I have hiked there a number of times since.

On April 21, we decided to hike our anniversary route.

Time passes differently with Holly. We can get lost in the backyard together, listening to and watching birds, lying under the stars; we lose track of time making dinner together, or sharing something we are excited about.

If you’ve taken time and put in work to get to know yourself, in the way that Scott Avett talks about, knowing who we are and being ourselves as the most loving truth we can offer, my experience with Holly is that you can be even more free and encouraged to be yourself by the presence of someone else. In oneing, in being together, you can be more than you were. And you can do and be that for someone else. That’s love and freedom together.

Tom Robbins, a favorite writer of mine in his book “Still Life with a Woodpecker” said, “There are only two mantras, yum and yuck, mine is yum.”

There are people who increase your yum exponentially, and you theirs. That has been our experience together. From our earliest conversations, talking about life, and dreaming about adventures, “Let’s” has always been our response to each other.

On this day, we walked into the woods together. We talked, we dreamed out loud, we watched and listened, we encountered friends along our Sunday walk who we hadn’t seen in a while.

And we said, “Let’s” to our next adventure together. Further experiences in oneing.

Writing as reckoning

Jim Harrison writes like he is reckoning with life, death, love, God–you name it. He writes like his life is on the line, his soul is trying to come out through language–that’s how much is at stake.

His “Essential Poems” book frequently travels with me. This morning it was:

“The stillness of this earth
which we pass through
with the precise speed of our dreams.”

that washed over me, from Harrison’s poem, “Returning to Earth.”

“I Believe” is a manifesto of things in the world that he puts faith in.

Steep drop-offs, empty swimming pools, raw garlic, used tires, abandoned farmhouses, leaky wooden boats, turbulent rivers, the primrose growing out of a cow skull. What a list! These are things I know I believe in as I read his list because each thing comes powerfully to mind–smells, pictures, feelings. This is a list of beliefs that come from experience and hard-nosed reflection. Everything on it has passed the test.

Reading Harrison calls me to write things that absolutely have to be said–something relevant, something that is working on me and that has to come out or risk burning my soul, not an academic or intellectual game, not something that sounds nice or clever–something that comes out of an ongoing wrestling match or dance or conversation with the Spirit.

This a Mark year for the prescribed church readings–most of the Gospel readings this year come from Mark’s account of the good news. For Palm Sunday our in-person services did a dramatic reading of Mark’s account of the Passion (Last Supper, betrayal, arrest, crucifixion, death and burial–the suffering) of Jesus, with readers playing different parts. On our Zoom service, we divided up the reading between a few of us. Mark’s Gospel is the shortest of the four, the writer doesn’t add fluff or niceties, there is no birth narrative, no Christmas, and the account ends with women running bewildered from an empty tomb. Reading Mark’s Passion account, he doesn’t stop to answer questions, he leaves those up to us to ask, wrestle with, and answer.

I think the writer of Mark and Jim Harrison would get along. Both of them had stories they had to tell. Holy Week, the week leading up to Easter, is full of those kind of Jesus stories. It moves me more than any other week of the church calendar. This Friday evening, Good Friday, we will have a service built around the seven different last words/phrases attributed to Jesus in the different Gospel accounts of his death. Then someone will respond–something spoken, read, sung–hopefully pulling those in attendance into the story.

The Gospel writers chose to write down a story that was being told orally, for fear of losing it. They knew it was too big to risk letting it go. And each of them went about it a bit differently, each giving something of themselves and their reckoning with the good news and the Spirit.

When I read Harrison’s poetry, I know that what he is saying is vital to who he was. It conveys what he loved, what he struggled with, what he laughed at, what he cried over, and what lit up his sense of wonder; the curiosity that was in his bones. He was a rough outdoorsman who lived on a farm in Michigan near where he was born. He fished, he ate, he drank, he traveled–he lived.

I hope I can find the words, the pictures, the moments in my life where I connect to love, to wonder, to Creation, to God and to the story of God and humanity that is unfolding through all of us and transform and transmute it all through the right words.

I hope you find your own moments and experiences and transform them into your own art–whether dance, song, painting, poem, carving, or your life itself as a work of art. God is a creator and we, in God’s image, are also meant to create.

One of my favorite lines of writing comes from the beginning of a Harrison poem called “Tomorrow,” where he talks about being blindsided by a new kind of wonder, the kind we haven’t experienced before. He writes:

“I’m hoping to be astonished tomorrow
by I don’t know what”

The stars or the sunrise or sunset reflecting off the river; the smell and feeling of earned sweat; how excited your dog is when you walk in the door; a book you can’t put down or stop thinking about; the first sip of coffee or tea in the morning; jumping in the river, lake, or ocean when it’s colder than you expect; the memory of someone who shaped you; a conversation with someone you love when you don’t know what either of you will say next; an answered prayer; exploring somewhere you’ve never been; sacrificing something important for someone else–someone else sacrificing something important for you; knowing in your heart, soul, and bones that you are loved.

I’m hoping to be astonished tomorrow by I don’t. know. what. And I believe.

Faith, Life, and Messiness

Faith, like life, is messy. This has been on my mind a lot, after thinking about Matthew’s Gospel (1:18-25) where he talks about Joseph and the birth of Jesus. Fr. Bill Ortt’s sermon stirred me up and Debie Thomas‘s essay on the same passage in her book, “Into the Mess & Other Jesus Stories” sent me into overdrive.

In the Gospel, Joseph finds out his fiancé Mary is pregnant, not with his child, and plans to send her away quietly. What the law required is that he should publicly shame her and that she might be stoned to death. But Joseph’s heart demanded something different of him. Send her away quietly.

And then, in a dream, an angel tells Joseph not to worry, to stay with Mary, whose child was conceived by the Holy Spirit, and to help raise her son, who they are to name Jesus. He learned this in a dream.

Fr. Bill, describing what Joseph decided to do said, “Instead of following the letter of the law, displayed the heart of God.”

And there is the thing–look at the “law” over centuries–the law changes with the times. The loving heart of God is unchanging, constant, eternal. But that doesn’t make it easy to follow or live into.

Debie Thomas in her essay, “Into the Mess,” says:

“It is the humble carpenter’s willingness to abandon his notions of holiness and embrace the scandalous that allows the miracle of Christ’s arrival to unfold.”

This is not to dismiss Mary’s role and the need for her willingness to be the mother of Jesus. Luke’s Gospel looks at the birth story from Mary’s perspective, and has an angel speaking to Mary. Matthew looks at Joseph.

Saying yes was the first step, the same as it is with us today. But this is going to lead for an entirely different life for Joseph than he could have possibly pictured for himself. He has to let go of everything. Thomas writes:

“In choosing Joseph to be Jesus’s earthly father, God leads a righteous man with an impeccable reputation straight into doubt, shame, scandal, and controversy. God’s call requires Joseph to reorder everything he thinks he knows about fairness, justice, goodness, and purity.”

Think about that. Based on a dream, would you say yes to God’s calling in that situation? Joseph had to let go of his notion of all these things, to live a completely different life than he dreamed for himself–saying yes to God had a cost for him. It also had a reward, but in order to see it, he had to let go of what he thought he knew.

Fr. Bill, in thinking about the character of Joseph, said he must have been a young man. Why?

“The young dream, the old remember.”

As we get older, we are less likely to listen to our dreams. We are more inclined to look back and discern things by comparison, by whatever logic we can discern from our lives; we are less open to the new and the strange.

What if we could stay open? What if we could continue to dream as we get older? What if we could find a way to keep or develop soft hearts?

Fr. Bill picked up another thread in his sermon that I want to weave in here. In talking about Christ’s birth, he said, “God himself became vulnerably present in the world.”

God as vulnerable. Both in the person of Jesus, but also in the way he deals with us. He asks, we can say yes or no. And this comes back to the idea of God as Love.

I recently picked up C.S. Lewis’s “The Four Loves” from my bookshelf and started reading it, based on coming across this quote online:

“To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.”

To love is to be vulnerable. What normally happens to us as we get older, in response to the pain, suffering, and heartbreak that happens by living, we seal ourselves off. We harden. We build walls in self-defense. And this is what the world has largely come to look and feel like.

But we can choose a different way to be. It takes courage, it takes heart, it takes being vulnerable.

In his book “Consolations,” David Whyte writes about “Touch.” He says:

“Touch is what we desire in one form or another, even if we find it through being alone, through the agency of silence or through the felt need to walk at a distance: the meeting with something or someone other than ourselves, the light brush of grass on the skin, the ruffling breeze, the actual touch of another’s hand; even the gentle first touch of an understanding, which, until now, we were formerly afraid to hold.”

Even the most introverted want to feel deeply. We want to experience connection. We want to touch and be touched. To touch, to feel, we have to be open. And being open isn’t just to the good stuff, the stuff we want, but also to that which can wreck us. Whyte continues:

“Being alive in the world means being found by [the] world and sometimes touched to the core in ways we would rather not experience.”

Maybe that is along the lines of what Joseph experienced before his dream. This isn’t what he had signed up for. This isn’t the life he had mapped out. But he was open. And through and after his dream, he said yes to a life, a calling, that none of us can fathom.

Because he was open. Because he was willing to let go of what he thought he wanted. Because he said yes.

Whyte finishes his thoughts on touch looking at being untouchable:

“To forge an untouchable, invulnerable identity is actually a sign of retreat from this world; of weakness; a sign of fear rather than of strength, and betrays a strange misunderstanding of an abiding, foundational, and necessary reality: that untouched, we disappear.”

To wall up and go numb is a cop out. It deprives us of really living.

Life, like faith, is messy. In order to experience those things we all want–love, joy, happiness–we have to open and vulnerable to those things we want with everything to avoid, heartbreak, pain, suffering. That’s the mess of it.

Joseph and Mary became the earth parents of Jesus. Their saying yes changed everything for all of us. We don’t hear much more about Joseph in the story–it wasn’t about him, ultimately. And Mary watched Jesus being killed. Again with the mess.

Scripture tells us, Jesus tells us, God tells us, it’s worth it. Love is worth it. Life is worth it. The mess is part of it. And not just part of it, but an important part of it.

I love how Debie Thomas thinks about the mess. And invites us to do the same:

“Do not be afraid of the mess. Embrace it. The mess is where God enters the world.”

To live, to love, to be open. To have the heart of God and to become vulnerably present in the world.

Amen.

Sometimes adventure looks like

Sometimes adventure looks like guys in their 40s meeting early on a Saturday morning, last minute, to skateboard the newest pavement in town.

Sometimes adventure looks like following a strange urge to drive on a Sunday afternoon to take a picture of a Celtic cross at a church up the road.

Sometimes adventure looks like picking a place you’ve never been and making a weekend road trip of it, just for the experience of it, and to make what Brene Brown calls “picture memories.”

Sometimes adventure sounds like saying “Here I am,” in following a path that you don’t know where it will lead, but you know it is laid out for you to walk.

Sometimes adventure sounds like taking a chance, starting something new, whether in business, art, career, love, fitness–something you aren’t sure will work, but you know you have to find out.

Sometimes adventure feels like showing up at the blank canvas, or for the morning run, or at the gym, or in front of the blank page, or the studio, even and especially on days where you don’t feel like it, on the way to something bigger, and finding a reward that you wouldn’t have found if you hit snooze, or came up with an excuse not to do it.

Sometimes adventure feels like letting go.

Sometimes adventure looks like helping a friend move.

Sometimes adventure sounds like sharing stories and connecting with someone.

Sometimes adventure looks like stretching out an afternoon, just to have a little more time together, to see the sun on the river.

Sometimes adventure sounds like daydreaming with someone and then trying to make daydreams things that actually happen.

Most of the time, adventure is a state of mind. It’s being open to possibilities. It’s being fully present in the moment, right now. It’s being surprised by something simple, something everyday, something that could be brushed off as ordinary.

There is adventure in the everyday, which is where we spend most of our lives. There is adventure in the epic, the unknown, the new. There is adventure in making the everyday new. I never get tired of T.S. Eliot writing:

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”
T.S. Eliot, “Four Quartets”

Sometimes adventure looks like planting a garden.

Sometimes adventure sounds like putting a dog and two teenagers in a car and picking somewhere to walk outside on a nice day and hearing what life looks like to them.

Sometimes adventure looks like parking in a different place at a state park on a beautiful morning and taking all the log crossings you can find along the way.

Sometimes adventure sounds like getting excited for opening day–of baseball season, of rockfish season, of whatever it is that is coming that puts a smile on your face.

Sometimes adventure looks like trying out for something, or trying something you’ve never done before, at whatever age you are now.

Sometimes adventure looks like spending a sunny Sunday spring cleaning the yard.

Sometimes adventure smells like a backyard fire pit on a clear night.

Sometimes adventure feels like seeing buds on a magnolia tree that you know is soon going to burst into 10 days of breathtaking blossom.

Sometimes adventure sounds like laughter that rolls through everyone in the room.

Sometimes adventure feels like spending time with the right people.

Maybe adventure looks like today.

Of sleeves & cave walls

My mind is dancing, fickle like fire. It won’t stand still–it jumps, flicks tongues, wall rides, scattering darkness, but dives back down before illuminating. Can’t see what’s there.

I’m sitting in a cave. It’s me, the fire, others in the cave. The girls, probably wondering what we’re doing in a cave…

Can’t make out the cave walls. There are shadows. I need to stoke the fire. With what? Drugs bring smoke but no additional light. They are not the stoke. Prayer. Adventure. Creativity. Nature. God.

tucked up in clefts in the cliffs
growing strict fields of corn and beans
sinking deeper and deeper in the earth
up to your hips in Gods
your head all turned to eagle-down
& lightning for knees and elbows
your eyes full of pollen
the smell of bats
the flavor of sandstone
grit on the tongue.
women
birthing
at the food of ladders in the dark.

Gary Snyder chants. The flames dance higher. Figures on the wall…

Art. Poetry. Drawings. The child, surrounded by nature, is the one connected to the Universe… “whoever does not receive the kingdom of God as a little child will never enter it.” (Luke 18:17)… childhood wonder in the eyes of a child. I know these drawings. I’ve seen them. I’ve written about them, read about them. Snyder’s book “Turtle Island” is never far from my backpack.

Caves. Fire. Shelter. Food. Primal elements. Fire meant food, community. It still does. Fire pulls the tribe together. It is conversation, happy hour, camping, return from a trail run to crack a beer, sip soup and share stories. Fire lets us see in the dark.

The cave has more. Skateboarding. Future Primitive. A love that began at 13 and has continued through today at 46 and tomorrow at whatever age. The figures on the wall look like this…

Lance Mountain. The figures are also running. Tribal. More of the cave, the walls are showing now. Scenes, images, symbols from my life. The girls. Birds. A cross. Fish. Notebook and pen. Passions. Shared experiences. Spelled out on the walls of the cave. Plato would be pleased.

I get up and walk to further parts of the cave. The walls are bare. They are uncovered. Unwritten. Still to be written. The writing is from life. From love. From experience. What is the rest of the story? What symbols? What art?

What becomes paintings on the cave walls begins as dreams. Neil Gaiman knows dreams. He has written Dream’s story in epic and graphic fashion. He begins “The Sandman, Vol. 6: Fables & Reflections” with an artist, a playwright and director who is afraid of heights. In his dreams, he fears falling. He believes there are two possible outcomes to falling in a dream: either you wake up, or you die. No good outcome.

And the artist, the dreamer, finds himself in a dream, climbing. At the top of the mountain, he meets Dream. Dream points out that there is a third alternative. “Sometimes when you fall, you fly.”

The most unlikely scenario. It flies in the face of common sense. But we aren’t talking sense. We are talking dreams. Why would anything sensical wind up as a cave painting?

* Originally written and published on December 10, 2014, with some revisions now.

Dreams and Song

2019 is a blank page with a big box of Crayola crayons spread out around it. I dig the above photo that Caroline Phillips took on one of the last days of December, on assignment for Shore Monthly Magazine. It’s sunrise, with friends doing something we love, up and outside early that let us catch a crisp, clear morning to laugh, skate, and reconnect.

2019 is a year I don’t have a clue about in many ways. And part of that not knowing is that the past four-plus years have been foundation building.

Life has a way of pulling the rug out from under us when we get comfortable. I like to think that happens because we are getting comfortable in a way that is keeping us from where we need to be; where we could be going; what we could be doing. But that perspective likely only comes with some distance when we’re looking back.

When we get displaced, we try to get our footing–spiritually, mentally, and physically. We try to put our pieces back together in a meaningful way. We look for that place where we can breathe deeply and be ourselves. We look for somewhere we can build, and re-build our lives.

Over the past four years, I’ve lived in three different places and I’m in the first house where it feels like home, where the girls and I can be for a while, put some roots down and figure out where life goes as Anna gets closer to graduating high school and Ava finishes middle school.

The thing about building a foundation or putting down roots (choose your metaphor) is that that’s the beginning work, the base. For that to amount to anything, you’ve got to build something awesome, grow or bloom into something that no one else can–that’s what each of us has in us. And that’s what 2019 feels like it’s calling for–personally, professionally, physically, creatively–it’s time to stretch, to grow, to build, to do something more; something cool, fun, inspiring. The stuff the God puts each of us here to do.

Field guides, existing colors in the box of Crayolas that we get to color our lives with, to help show us what is possible, what’s been drawn, and what we can do.

Writing about Jorge Luis Borges, introducing Borges’ book, “Dreamtigers,” Miguel Enguidanos talks about dreams and song. That it is our capacity to dream and sing that “makes the world bearable, habitable; they make the dark places bright… Dreams and song. About the whole and the parts. About the universe and about each of its separate creatures.” And that “in spite of incompetence, stumblings, and disillusionment,” that our dreams, played out in the song we choose to sing with our lives can connect and resonate with others.

I guess that’s my hope for 2019. To feel our dreams and find and sing our song in new, surprising, inspiring, and wonder-filled ways. And in doing so, to help others do the same with theirs.

Via Contemplative Monk and Mystic Prayers

Dreams Aren’t Hash Browns

Dreams aren’t hash browns. You can’t just walk into Waffle House and order your dreams “scattered, smothered, covered, topped, and chunked.” Unless you dream of hash browns. Which is understandable.

For most of us, realizing our dreams takes vision, ideas, focus, work, luck, connections, Divine Intervention, or some combination thereof. And it’s a lot easier to put them off, defer them, without even realizing it. Distractions abound. I have yet to find that dream menu.

When we drug ourselves to blot out our soul’s call, we are being good Americans and exemplary consumers. We’re doing exactly what TV commercials and pop materialist culture have been brainwashing us to do from birth. Instead of applying self-knowledge, self-discipline, delayed gratification, and hard work, we simply consume a product. – Steven Pressfield, “The War of Art”

Forgive me my soapbox. This stuff all strikes a pretty deep soul chord for me. I’m a carpe the diem guy. I try to make the most of each day and not miss opportunities to kayak, paddleboard, or catch a sunset. I try to remember, store, and appreciate those experiences in and for themselves, as well as transmute or translate them into something I can pass along.

Sometimes carpe’ing the diem means forgoing the sunrise to think and write. The September issue of Tidewater Times is online, and it has a book review I got to collaborate with friend and former teacher Father John Merchant to put together. Father Merchant sent me a copy of Yann Martel’s “The High Mountains of Portugal,” so it seemed fitting to turn it back around on him. Sometimes carpe’ing the diem means putting in the work (planting the seeds) to make something happen later.

Some of my dreams require trail running shoes. Coming up with fun outdoor challenges, doing them, and writing about them helped me land a cover feature story for Trail Runner Magazine in June 2008 and I’ve been looking to create more of those kind of adventures, both to experience and to write about.

The next adventure, running-hiking-walking the Appalachian Trail across Maryland with trail running friends, is in the planning phase to take place this fall (a shout out to Craig Behrin for channeling the spirit of the adventure into a cool logo). That is the kind of experience where so many of the things in life that I dig all come together.

I can dream things up all day long. Anyone can. It’s when I start to do things about them, come up with ways to make them happen, and start acting on them, that life gets interesting, and maybe God smiles.

Whom can I ask what I came to make happen in this world? – Pablo Neruda, “The Book of Questions”

A Writer Writes: The Gameplan

At any given point you can look back at your life. Hopefully you see things that make you proud: the kind of person you are, how you treat people, maybe you have kids and see who they are becoming, personal accomplishments, relationships, etc. But, if when you look back, you continue to not see something you thought you would see; meaning you haven’t done something you wanted to try; it might be worth taking a closer look at it.

For the past 18 years or so, I have had jobs that required me to write. And that’s great, I enjoy it. But only sometimes did those jobs send me after the kind of writing that I would choose to do on my own. I’ve been able to find chances here and there to pursue writing on the fringes, but never a sustained attempt. I’m trying to change that.

Steven Pressfield sees what gets in the way of me, or people in general, going after those things that make up our dreams. He wrote “The Legend of Bagger Vance,” which became a movie, and you’ll recognize a number of his other books. But it’s “The War of Art,” that has my attention at the moment. Pressfield calls it “Resistance,” that thing that stands in the way of people trying to achieve their dreams:

Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.

He points out Resistance as that force that stops us from doing something–from starting to workout or diet, to trying something new, to going to church, starting a business, painting, writing, from the simple to the profound. It takes the form of procrastination, excuses, it can be inviting or intimidating or rational. But it stops us, by whatever means. Until it doesn’t. And hopefully it doesn’t take a near death experience, or a mid-life crisis, or something of the sort to make us want to get past it.

When I looked around at myself, at how I spend my time away from work, my mornings, my evenings, I saw some things I liked. Spending time with the girls, running, trying to make the most of the mornings. And I saw some things I didn’t: like week day happy hours in the evenings after work sapping momentum, creativity, motivation. And not much writing. It seemed time to make some changes.

The August issue of Tidewater Times is out now. You can pick up a pocket-sized copy of the coolest, carry-with-you magazine on the Eastern Shore from a number of different places. Or you can read it online here. On page 177 in the online version, is the first of an ongoing series of articles and book reviews I’ll be writing there. It helps to have friends like Jim Brighton, who are doing remarkable things like the Maryland Biodiversity Project. If you are the Facebook type, they have more than 5,700 folks following awesome photographs and natural history posts. Regular articles in Tidewater Times is one part.

Getting this site rolling is another. I’ve got others in mind. Stay tuned. It’s also about surrounding myself with other like-minded folks, a creative community of people exploring life and their passions, and making the most out of each day. Some of it will be interviewing and writing about those folks, with Jim being one of them. People have different passions and talents. It could be giving up an office job and opening up a restaurant; it could be starting your own landscaping company and happily spending your days surrounded by nature. When someone’s passion becomes their story, that’s a pretty cool thing to see happen and to share with others.

There are writers out there whose lives and books inspire me daily. Peter Matthiessen and his environmentalism and spirituality. Tony Horwitz and his ways of tying history to the present in ways no one seems to have looked at. Thomas Merton and Frederick Buechner and their callings by God to follow Him and write about it. Gary Snyder and his seamless synthesis of words, nature, the Cosmos.

It’s a big world out there, full of remarkable people doing stuff that no one else can do in just the way that they are. My sense is that each of us has something of that in us.

The writer Will Durant summarized Aristotle by saying, “We are what we repeatedly do. Excellence, then, is not an act, but a habit.” That’s a habit I’d like to make. It will make for much better happy hour conversations on the weekends.

The Head, the Hand, and the Heart

I don’t know much about John Ruskin. But maybe he knew something about living. Ruskin said:

Fine art is that in which the hand, the head, and the heart of man go together.

I’m not so much worried about fine art as about living fully, deeply, integrated, connected to God. And I’ve been thinking about when you get two of three of those things–the head, the hand, and the heart.

In church we’ve been talking about the head (beliefs) and the hand (actions) going together. If you believe something, truly believe it and hold it to be important, then your actions should show it. That seems wholly true to me. If your actions don’t show your beliefs, what good are your beliefs? But there seems to be something missing. I think it’s the heart.

If you put the head and the heart together, you get a band. One I’ve been listening to a bit lately.

Their song, “Lost in My Mind” gets stuck in mine. It’s a great song. Getting lost in my mind is an easy tendency. “Oh my brother, your wisdom is older than me.” There is a notion in the song I dig:

How’s that bricklayin’ comin?

How’s that engine runnin?

Is that bridge getting built?

Are your hand getting filled?

Won’t you tell me, my brother?

Cause there’s stars

up above

We can start

moving forward

It’s that notion of work versus dreams. You are working, making a living, but are you filling your heart, your soul, with the good stuff? The wonders of the Universe. The deeper aspects of life that we miss entirely if we don’t pay attention: raising kids; watching a sunrise on the beach with someone you love; playing an instrument; staring at the stars; writing a book; whatever it is that fills your heart.

But if you have just your head and your heart, you are missing your hand: you are holding your dreams, but not acting on them. Not trying to build them.

It’s not easy to yoke those three things together and drive them forward. For me, thinking and dreaming come easy. It’s building that takes work and effort. And attention.

At 44 years old, I’m not one to let go of dreams. As a father, I’m not about to wildly chase a dream that doesn’t help, include, or provide for my girls. A conundrum? Maybe.

Sooner or later, if we’re lucky, we come to learn a pretty big lesson: it’s not all about me. Though I try to shape them, use them, and do the best I can with them, I didn’t make or create my head, my heart, or my hands. I have to admit there are bigger things, bigger hands, hearts, and minds at work than mine. And if I want to put mine out there and try to make something of them, it requires a couple things: faith and risk.

I get a daily e-mail to contemplate every morning from Richard Rohr, Franciscan priest, Christian mystic, founder of the Center for Contemplation and Action. This morning’s musings came together like this:

This is probably why Jesus praised faith and trust even more than love. It takes a foundational trust to fall or to fail–and not to fall apart. Faith alone holds you while you stand waiting and hoping and trusting. Then, and only then, will deeper love happen. It’s no surprise at all that in English (and, I am told, in other languages as well) we speak of “falling” in love. I think falling is the only way to get to authentic love. None would go freely, if we knew ahead of time what love is going to ask of us. Very human faith lays the necessary foundation for the ongoing discovery of love. Have no doubt though: great love is always a discovery, a revelation, a wonderful surprise, a falling into “something” much bigger and deeper that is literally beyond us and larger than us.

We need our heads–our thoughts and our beliefs. We need our hands–our actions. And we need our heart–love, passion. And love is something that goes beyond us, is bigger than us, involves a letting go, a surrender; involves faith; involves God.

I’ve still got more questions than I’ll ever have answers. But I like to think about living life the way Ruskin describes fine art. And I like to think of giving my head, hand, heart, over to faith, to love, to God, and trying to build dreams, to build life, with a little Help.

* The photo at the top came from Living Outdoor. It represents something of a dream for me–living and writing outside in the woods, in a simple cabin.