Frosting or Fountainhead

Imagination and creativity are the mind’s stepchildren when it comes to priorities in society. When we call someone imaginative or creative, it sounds like a pat on the head. Art is something we indulge when we have time, when the important things are taken care of. What if we have things upside down?

“What if imagination and art are not frosting at all, but the fountainhead of human experience?” – Rollo May

I miss artist Joe Mayer being in town. I got to know Joe when he was living in Easton, teaching art workshops, getting businesses to hang art by local artists, and philosophizing at Coffee East just about every morning. Joe was painting abstract watercolors and we talked art, writing, and life a good bit. Joe did a quick warm-up painting and wrote the above Rollo May quote on it. It has hung in my house ever since. May wondered what would happen if we looked at imagination and creativity differently. What if we gave them a spot at the head of the table?

What if our lives are our canvas? What if the decisions we make every day as to how to spend our time, what to focus on–what if we looked at those choices as creative acts?

Mike Vallely is constantly creating things. Mike V. is a professional skateboarder, who founded, owns and runs a company called Street Plant Brand. I met him in Ocean City when I was a teenager. His life, his company, his passion, his art are all creative acts.  He sings and plays music in bands, he has helped create what we think of as street skateboarding, works with and promotes artists, and makes his life about sharing his passion with other people. His motto is “Skate. Create. Enjoy.”

Author Bob Goff thinks of Tom Sawyer Island at Disneyland as his office. He does some of his best thinking there and meets with people there. Why? From his book, “Love Does:”

“We all want to have a place where we can dream and escape anything that wraps steel bands around our imagination and creativity. Tom Sawyer Island is a place where I conspire with people, where immense capers have been launched, and where whimsy runs wild.”

Bob G. and Mike V. dream different dreams for their lives, but each of them have made their lives about following and achieving those dreams. They put their imagination into practice. It’s not art in the sense of learning to paint, it’s art in the sense of learning to live.

God’s created each of us to be unique–with our own dreams, loves, fears, passions, and imaginations. And we each have our own lives. When we set out to align our dreams and our lives, and use our imagination and creativity to build them into one, we move toward the life God intended us to live–based on wiring us that way. I think that’s what Rollo May is talking about. What if art and imagination aren’t the frosting or the fringe, but the focus or the fountainhead?

What can we create, or make of our lives? What do we have to say?

 

Space for Grace

Tohu wa-bohu. It’s fun to say. Like an incantation you would chant while waving a magic wand over a hat. Tohu wa-bohu. It’s a Hebrew phrase from the Book of Genesis, describing the state of the Universe before God created order. “Formless void,” and “primordial chaos” are two of the translations I enjoy the most.

It’s a phrase Fr. Bill Ortt has unpacked in a couple different small groups at Christ Church Easton of late. He used it to point out that the first things that God created, in addition to light, were time and space. These were the ordering principles of the Universe. To get rid of the chaos, it was light, time, and space.

The image above is William Blake’s “Ancient of Days,” in which God creates order out of chaos. Blake is depicting God putting his orderly stamp on the Tohu wa-bohu. It’s an image I am familiar with: it’s on my left shoulder, the first tattoo I ever got, when I was 25, after my first encounter with Blake in Dr. Gillin’s British Romanticism class at Washington College. Funny to come back to it in a new way, almost 20 years later.

There is something to that need for order. When we want to calm the chaos in our own lives, we need to shine a light on things and create time and space. When things get hectic, there is a blueprint that goes back to the beginning.

I’ve been reading Anne Lamott’s “Traveling Mercies: Some Thoughts on Faith.” I like Lamott for her honesty, humor, compassion; for her irreverent reverence; for her willingness and ability to shine the light on herself and laugh and make us laugh at what she finds; for her willingness to wrestle God and surrender; and for her unique and personal path and walk of faith.

Both in reading her and for some time before, I have had the notion of “grace” on my mind. Here is how Lamott looks at it:

It is unearned love–the love that goes before, that greets us on the way. It’s the help you receive when you have no bright ideas left, when you are empty and desperate and have discovered that your best thinking and most charming charm have failed you. Grace is the light or electricity or juice or breeze that takes you from that isolated place and puts you with others who are as startled and embarrassed and eventually grateful as you are to be there.

There is so much there that I like. Grace is what is left when we have nothing else. It’s what is there when we are on empty. It’s foundational. It’s also not something we have alone, or by ourselves. Grace connects us to God and to each other. Sometimes that is a tough lesson to learn for those of us who are hermits by nature.

Here is another way she puts it, “Man is broken. He lives by mending. The grace of God is glue.” Let’s play that out to bricks and mortar. A single brick only gets you so far. With a bunch of bricks, you can have a sidewalk, patio, house, etc. But the key to putting bricks together is mortar. And you have to make space for the mortar to join them together and make them stronger.

You have to make space for grace. If we get so busy with our lives, or so self-absorbed that we can’t see or feel grace, we are the bricks without mortar. We are the ones deluding ourselves that we can do it on our own.

We are broken. We live by mending. The grace of God is glue. We need to make space for grace.

On Vocation: Five Golden Things

“It’s not just a job, it’s an adventure,” was an ad slogan the U.S. Navy used in the late 1970s and early 80s. It must be pretty good since it still sticks in my head. What if we could go through life like that? What if we felt that way about our jobs? Our lives?

Not all jobs feel that way. But for the life adventure attitude, we’ve got to dig deeper than just a job and look at vocation.

A man knows he has found his vocation when he stops thinking about how to live, and begins to live. – Thomas Merton

I don’t claim to be in that space Merton describes, but I am getting closer, and I am getting a pretty good lay of the land for what that looks like. For our purposes here, let’s think of vocation as a hand; as the work we do in the world with our lives. Our hand, like most hands, has five fingers. The fingers are all part of the hand, and the hand is made up of the interconnecting fingers. You can’t separate them from each other, they are all part of the same thing/work/life/vocation.

Disclaimer: I am a work in progress and things change and evolve over time. In describing these things, I am putting words towards things I have found in life to this point to be the things that seem to make up aspects of vocation/calling. Check back frequently.

1. Fatherhood. This is the one role in life I am least prepared for, it takes improvisation, winging it, frustration, questions, blood, sweat, and tears. And it’s the role that means the most, rewards the most, defines the most. Nothing else I do, or could ever do, compares to it.

2. Writing/Reading/Learning. This has been a part of me, a defining part for 30 years or more and counting. From the notebook in my back pocket, to grabbing a book with coffee in the morning, it is a part of me that never turns off. For the past six months, Tidewater Times has been a great outlet for me to write about everything from nature to history to incredible people and cool goings-on in our community. I hope to make this more and more a part of my life over time.

3. Being outside. I feel most alive outside, in nature. I can be running (preferably trails), walking the dog, hiking, paddleboarding, kayaking, bird watching, skateboarding, but being outside is where my soul feels both most alive and most at peace. Recognizing that and making sure to recharge that way and make the time for it is a daily practice.

4. Building/connecting community. It’s not a coincidence that when I was at a major crossroads in life and career, it was the Oxford Community Center that needed a director. When I think about my family being in the area since the 1600s; the evolution and changes in the town and the community; the players and personalities that have helped shape this place in the past and during my lifetime, it seems like a place I am supposed to be, involved in work that I am supposed to be a part of. I can look around and see and feel a connection to the town and the Eastern Shore in ways I have never seen or felt anywhere else. I’ll just leave it at that for now.

5. Spirituality. I saved this for last for a reason. This is where the change has been taking place and the reason for my reflection on vocation and for this post. I have been a lifelong spiritual seeker. My path has taken me in wonderful, rich, and unexpected directions at just about every step of the way. Over the past year and a half especially, that direction has revealed itself more through a deepening relationship with God, through Jesus Christ, the Holy Spirit, and the love that flows through the Trinity, through our hearts (my heart), and into the world. I’ve never felt anything like it, and how could I have?

It’s when I have let go and allowed God to work that I have felt most free, most driven, and the most connected. On an October Friday, I put a gameplan out into the Universe, which I have no other way to describe then that I just knew those things were what I was supposed to be doing. The three parts of the plan are: 1) writing/sharing, 2) learning and studying, and 3) helping to create a community of Christian small group study. That Sunday, Father Bill Ortt stood in front of the Christ Church Easton congregation and said that they were looking for someone to lead small groups. He said you don’t need any experience, he had more than 30 years worth and that he would look to help train/mentor the right person.

That began a conversation that has helped reveal a calling (of sorts) and that has turned into a part-time job as Assistant for Small Groups and Christian Education with Christ Church Easton.

Vocation is the big picture. It is doing the work that you feel called, charged, fulfilled to do. It isn’t necessarily connected to a job, but it can be, and when it is, then you know you are doing the work you should be doing.

As God has revealed life and vocation to me, and helped me see what those things are that charge me and that I can give back, I have Frederick Buechner’s words in my head a good bit, “The place God calls you to is where your deep gladness and the world’s deep hunger meet.” I don’t know about the world, so I’ll start with myself, my family, our community. And we’ll see where it goes.

Jeremy Joseph: The Shared Experience

Within a month of knowing Jeremy Joseph, we were almost struck by lightning in the storm that felled the Wye Oak. He and I sat next to each other at the Chesapeake Bay Maritime Museum the spring and summer before he became an art teacher. In a brief span, we talked fishing, art, Tom Robbins novels, music, literature, you name it. And then he rolled on to do what he should have been doing.

Jeremy taught both my daughters art in school, and over the years we circled back into each other. He has been a ceaseless inspiration for me to be creative. At one point when I caught up with him, he and a friend had put out a music album, he was painting every day and had his work in a local art gallery, along with a full-time job, his wife, also a teacher, was equally busy, and their two daughters in school, sports, etc. His motivation to make time to be creative pushed me to do the same.  We have had similar takes on art, life, family, fatherhood, books, writing, and sports. Jeremy and his wife Tiffany are among the best people and kinds of friends you can encounter.

I’ve been a fan of Jeremy’s saltwater-based still life paintings for some time. And then this fall, a funny thing happened: he opened a solo exhibit of 30 paintings that were nothing like the work he had been doing. The new paintings were imaginative, primitive, celebratory, seemingly whimsical, communal. I wanted to see what was going on.

Jeremy has been serious about, and dedicated to painting for 22 years. He decided against going for a master’s degree in fine art, so instead set to making his own studio time and creating his own art history studies. From 1994 to 2003, he painted in a narrative style, telling stories with his art. And then he started looking more closely, observing more deeply, and in his meditative observations, the mundane became elevated. Still life painting became the medium.

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“I had a lot to learn. If you are going to spend the time study and paint a striped bass or a mullet, it better look like one.”

Salt-water still life became Jeremy’s hallmark. His paintings sell reasonably well in the local galleries, he gets requests and commissions. He developed a nice niche. And then a new direction emerged.

Painting still lifes made Jeremy learn color in depth and develop his mark making. Teaching elementary school students, and seeing their unbridled imagination on a daily basis kept inspiring him. Add to that the fact that realist and impressionistic landscapes are all you will find within a few hours’ drive.

“I’d always wanted to do this imaginative work,” he said. “Maybe it’s punk rock vs Joe Satriani; maybe it gets back to Hemingway’s ‘The Old Man and the Sea,’ just working very simple.”

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At first his idea was to convey the “first people,” or earliest people. Fishermen were going to be his transition. Then he started studying Meso-American figurines, Buddhist sculptures, and African masks. He saw stick figures and moved toward complete simplification. He started to notice some commonalities.

“People (artists and cultures) have been making the same eye shapes to represent contentment forever.”

Contentment, happiness became a current. Both conveying happiness, but also experiencing it in the moment.

In March of this year, Jeremy put up a studio in their back yard. It opens from the end and the side, and in the warm weather, hummingbirds flew into the studio while he was working. Birds and animals became a current.

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“I get so much from the birds, the wings of birds, the flight of birds, that’s where my blood pressure goes down and where I go,” he said. “And I wanted to get across this universal happiness, we break bread, we share a moment, the thing I am after is just this little bit of happiness. And thinking about having a conversation with a merganser or a fox made me happy.”

Four months of painting every day, Jeremy created each of the 30 works in his studio. And had the full support of his gallery, the Grafton Galleries in Easton, to show the new works, even with them being a departure from what his work had been for the past 13 years.

“There were times when I thought that doing this type of work was a kind of career suicide for the still like work that I do. I wondered if I could make paintings that through the use of form and simplification, could dare someone not to smile, not to like it? I really wanted it to be about a mood, a shared moment or experience. Matisse said he painted for the tired businessman, the guy (or girl) who is tired at the end of the day.”

Part of that shared experience is captured in the painting, and part of it is shared with the person looking at the painting.

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Breaking new ground after more than 20 years developing a style: I dig the creative courage that is behind a move like that. But what I get in talking to Jeremy, in spending time in his studio, is that it’s not about the painter, or the painting specifically; it’s more about the process.

What is it that gets you out to the studio, after teaching all day, after coaching sports, or family time, what is it that gets you to pick up the brush?

“You know it’s there, you know there could be a reward, you just have to get yourself out there. It’s the happy accident, the resolution of something, experiencing the unexpected. Honestly, it’s the smell, the sound, the feel of coming outside, you put yourself in the place where something can happen.”

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Jeremy’s solo exhibit, “The Shared Experience” is on display at the Grafton Galleries, 32 E. Dover Rd., in Easton through the end of November. Some of his new works will remain on display after that.

Making Us New

Each day is full of the expected and the unexpected. There are things I see coming and plenty I don’t. There are things I recognize and those I know are new. And that goes for myself as well; there are parts of me I recognize and parts I have to do a double take to catch (some I like, some I need to work on).

We can say the same thing for each of our paths through life: there is familiar ground and new ground every day. The thing about it is to keep going.

By your endurance you will gain your souls. – Luke 21:19. That was the Gospel from this morning’s worship service at Christ Church Easton. Over the last couple months, I have been reading the Books of Luke and John, and I underlined that passage a week or so ago. As a distance runner it speaks to me of lessons learned through perseverance. As someone whose life doesn’t generally seem to move in straight or discernible lines, it’s also about endurance in the face of the unknown. We might call that faith. Faith helps us endure.

Jesus talks about the destruction of the temple, the impermanence of the earthly life, the trials and tribulations and hardships that lie ahead, and the need to stay on the path, have faith, “by endurance you will gain your souls.” There are a very few things we can control, life happens all around us, what are we to do, what are we called to do as followers of Christ in the face of it all?

What we are called upon to be in this world is a force for good, for hope, for reconciliation, and righteousness… we can be better vessels of grace in this (community). – Fr. Bill

Life happens in ways we can’t understand. What we are called upon is to be a force for good, for hope, for faith. To focus on those things we can do something about, how we treat others, how we serve, what we can do for ourselves, our families, our communities.

Our walk may require different shoes than we expected (I had to grab the photo above, which shows what happens when a priest has to go from two morning worship services to volunteering at the Waterfowl Festival). It may take us down different roads, put us in different places, and run us into different people than we expected or than we would have chosen on our own. Though we’d like to, we can’t control what or who we encounter, but we can control who we are, how we act, and how we see things and people.

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Sometimes I think we adapt to the path we are on. We are made new by how we respond. Sometimes, I think we adapt to the path we see coming. We are made new to prepare for what’s ahead. In both cases, it is our response to God, what He’s put in front of us, and how we respond to His calling that makes us new.

Endurance, enduring doesn’t just have to be work and suffering. Those things are there, but so are happiness, joy, celebration, inspiration, and love. All things by which God makes us new, renew us. Along our path, we are able to become new again, invent, and improve ourselves. We can look to God for inspiration and we can surround ourselves with people who inspire us.

I’ve had the great fortune over the past couple weeks, to be inspired by two friends, in their mid-40s, doing amazing things that they have taken upon themselves to do.

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Jeremy Joseph is an elementary school art teacher, father of two girls, his wife is also a teacher. He is an artist with a cool style. Recently he decided to take his painting in a new direction and opened a solo exhibit of 30 new works. More on that another time, but Jeremy has long been an inspiration for me and writing, the way he makes time for creativity, for his passion, when it would be easier just to work, to be a dad, live life. Instead he chooses to have creativity, art, and newness be a part of his life.

A.K. Leight is a marine biologist. He decided a number of years ago that he was going to get his PhD in environmental science (Biological Oceanography) knowing he and his wife work full-time, have two girls, and that it was going to be a long, slow process. This past week he successfully defended his thesis, bringing the culmination of so much time, effort, and study. It’s not something most people do 20-some years into a career. As I am entering a new life adventure where continuing education and/or graduate study are a part of a calling, I am inspired by what A.K. has done and how he has gone about it. I am blessed to have friends who inspire me by their example.

Every day there is something new for us. Every day we can bring new eyes and renewed heart to what we are doing and how we live our lives. Every day God makes us new.

Waiting, Seeing, Creating

The older I get, the more I am convinced that Dr. Seuss had it all figured out. If you want to understand our environmental predicament, read “The Lorax.” If you want an ode to the imagination, go after “And to Think That I Saw it on Mulberry Street.” And if you want to know about life, dreams, and what it is to try to get through it all, read “Oh the Places You’ll Go.”

I know “The Waiting Place” better than I’d like to. I venture out, explore, reflect, live in the moment, but sooner or later, I recognize it. I’ve circled back to the waiting place. As much as I try to be my own man; as much as I try to be open to God’s voice and direction; as much as I try to be open to the Universe, God and the Universe move at their own pace, not mine. And so, the waiting.

It can be a habit. But waiting doesn’t have to be just sitting around. I can wait actively. I am not in prison. And even in prison, there are role models for how to wait.

Tim Robbins and Morgan Freeman sitting outside on the benches playing checkers and talking in a scene from the film 'The Shawshank Redemption', 1994. (Photo by Castle Rock Entertainment/Getty Images)

Andy Dufresne, of Shawshank Redemption fame, had more meaningful adventures behind bars than most free men have. But he came to a point where he realized it was time to make a change, even at the cost of his life. I realize there are movies and books that I come back to a good bit, and Shawshank will likely continue to be one of them. Andy’s “get busy living, or get busy dying,” sticks in my soul as a life mantra. A reminder.

Dufresne and Louis Goldstein could have been peeps. The only words I remember from my Washington College graduation were Goldstein’s, “If it’s to be, it’s up to me.” That was his take on “God helps those who help themselves.” Maybe you’re in the waiting place, well, get up and do something about it, or don’t expect to move very far.

When we are in the waiting place, we can feel stuck. Or I can. And part of that reason is because we know the waiting place. We can get comfortable waiting. We know what it feels like. So we hang on. And by hanging on, we make ourselves stuck. It’s by letting go that we move on in the direction we are supposed to go.

Life is a series of natural and spontaneous changes. Don’t resist them; that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like. – Lao Tzu

So we need to let go. Be unanchored. Undone. Untethered. We need to start. To start something new, to create. In the letting go, in the creating, what we need is to create, to begin our lives anew. Each day.

To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community. This is true whether we understand our creativity to be begetting and nourishing our children, making music, doing theater, gardening, teaching, running a business, painting, constructing houses, or sharing the healing arts of medicine and therapy. – Matthew Fox (the minister, author of “Original Blessing,” not the actor from “Lost”)

We get out of the waiting place by being ourselves, differently. By opening ourselves to creativity. By creating our lives. By being inspired and doing something with that inspiration. By allowing God to light a spark in us and being consumed by the spark of Divine inspiration.

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A Writer Writes: The Gameplan

At any given point you can look back at your life. Hopefully you see things that make you proud: the kind of person you are, how you treat people, maybe you have kids and see who they are becoming, personal accomplishments, relationships, etc. But, if when you look back, you continue to not see something you thought you would see; meaning you haven’t done something you wanted to try; it might be worth taking a closer look at it.

For the past 18 years or so, I have had jobs that required me to write. And that’s great, I enjoy it. But only sometimes did those jobs send me after the kind of writing that I would choose to do on my own. I’ve been able to find chances here and there to pursue writing on the fringes, but never a sustained attempt. I’m trying to change that.

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Steven Pressfield sees what gets in the way of me, or people in general, going after those things that make up our dreams. He wrote “The Legend of Bagger Vance,” which became a movie, and you’ll recognize a number of his other books. But it’s “The War of Art,” that has my attention at the moment. Pressfield calls it “Resistance,” that thing that stands in the way of people trying to achieve their dreams:

Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.

He points out Resistance as that force that stops us from doing something–from starting to workout or diet, to trying something new, to going to church, starting a business, painting, writing, from the simple to the profound. It takes the form of procrastination, excuses, it can be inviting or intimidating or rational. But it stops us, by whatever means. Until it doesn’t. And hopefully it doesn’t take a near death experience, or a mid-life crisis, or something of the sort to make us want to get past it.

When I looked around at myself, at how I spend my time away from work, my mornings, my evenings, I saw some things I liked. Spending time with the girls, running, trying to make the most of the mornings. And I saw some things I didn’t: like week day happy hours in the evenings after work sapping momentum, creativity, motivation. And not much writing. It seemed time to make some changes.

2016 Aug TT cover

The August issue of Tidewater Times is out now. You can pick up a pocket-sized copy of the coolest, carry-with-you magazine on the Eastern Shore from a number of different places. Or you can read it online here. On page 177 in the online version, is the first of an ongoing series of articles and book reviews I’ll be writing there. It helps to have friends like Jim Brighton, who are doing remarkable things like the Maryland Biodiversity Project. If you are the Facebook type, they have more than 5,700 folks following awesome photographs and natural history posts. Regular articles in Tidewater Times is one part.

Getting this site rolling is another. I’ve got others in mind. Stay tuned. It’s also about surrounding myself with other like-minded folks, a creative community of people exploring life and their passions, and making the most out of each day. Some of it will be interviewing and writing about those folks, with Jim being one of them. People have different passions and talents. It could be giving up an office job and opening up a restaurant; it could be starting your own landscaping company and happily spending your days surrounded by nature. When someone’s passion becomes their story, that’s a pretty cool thing to see happen and to share with others.

2016 writing books

There are writers out there whose lives and books inspire me daily. Peter Matthiessen and his environmentalism and spirituality. Tony Horwitz and his ways of tying history to the present in ways no one seems to have looked at. Thomas Merton and Frederick Buechner and their callings by God to follow Him and write about it. Gary Snyder and his seamless synthesis of words, nature, the Cosmos.

It’s a big world out there, full of remarkable people doing stuff that no one else can do in just the way that they are. My sense is that each of us has something of that in us.

The writer Will Durant summarized Aristotle by saying, “We are what we repeatedly do. Excellence, then, is not an act, but a habit.” That’s a habit I’d like to make. It will make for much better happy hour conversations on the weekends.