Tag: books

Morning Snapshots

Eastern Bluebirds are flying in front of and behind me as I skate onto the Oxford Conservation Park loop. I’ve had their shade of blue and orange in my head since I first saw a bluebird years ago and they still quicken my heart.

It is a Saturday with nothing on the morning calendar and temperatures looking to move into the mid-90s. This early though, there is a breeze and it’s perfect sitting outside weather.

Books frequently open my mind and expand my worldview. The path I am walking (or skating) I owe in part to a Trappist monk named Thomas Merton. Recently I’ve encountered another Trappist monk Thomas, Thomas Keating.

“Grace is a participation in the Divine nature, it’s not just something added on like an overcoat. It’s a radical transformation of the whole of human nature so that it can be a divine human being, meaning it can exercise freedom, compassion, love…”

Fr. Thomas Keating

From reading his books to watching the documentary, “A Rising Tide of Silence,” Keating and a former student of his, an Episcopal priest named Cynthia Bourgeault, have pointed me to the practice of centering prayer. I’ve made this type of silent prayer part of my mornings for the past month or so, and I hope to keep it in my daily routine.

This morning, I want to go outside, to make this time under my sitting tree. After my bluebird greeting, I have a deer run across the cemetery loop about 10 feet in front of me.

I’m traveling light, just a notebook, pen, and binoculars, and I sit on my skateboard on the shoreline looking out onto the cove.

For centering prayer, they recommend picking a word that can bring you back to the moment, Bourgeault describes the word as being like windshield wipers to wipe away the thoughts that always jump in the way for attention. The word I have been using is “rest.” In Matthew’s Gospel, Jesus says, “Come to me, all you who are weary and burdened, and I will give you rest.” (Matthew 11:28). Psalm 37:7 says “Rest in the Lord,” which can also be translated as “Be still in the Lord,” meaning be at peace. I find that to be the right approach and mindset for me.

Sitting by the water, I breathe and close my eyes. A breeze is across my skin and in my ears like a conversation and listening, there is a constant concert of songbird voices. I can hear a fish jump in front of me to the left, and I open my eyes to see the rings it left–a cardinal flies low over the water, like it’s his cue to go on. The ascending sun reflects off the water to the right.

I am new to centering prayer, but even with my limited experience, I find that when I let my passing thoughts go, it gives me an opportunity to be closer to God. Keating’s quote that grace is for us a chance to participate in the work God is doing in the world and the love He has for us and for creation. And I can feel that this morning. And sitting alongside a cemetery, where my grandparents, family, and friends are buried, remembering and feeling them, I feel re-connected over and through time, like we are all sharing these remarkable moments.

Keating writes:

“When the presence of God emerges from our inmost being into our faculties, whether we walk down the street or drink a cup of soup, divine life is pouring into the world.”

For most of my life, this kind of quiet prayer time, these morning moments and experiences have been solo endeavors, an introvert’s delight. And I still need plenty of those. But I also find that I can be around people and still be at peace; I can even delight in what other people are doing. Like Keating says, walking down the street, or having a cup of coffee (too early for soup), I want to take those moments with me into the world, to be a part of that divine life pouring into the world . And I am not ready for the next phase of the day to start, so I head to the Oxford Park.

I stop through Oxford Social, the cafe right next to the park, for the first time. A birding friend from my Oxford Community Center days gets in line and we talk birds a bit, and about Third Haven Quaker Meeting House, and about seminary. I walk down to a bench by the river and sit with coffee, the view, conversations off to my right, kids playing on the swings to my left, and a young boy running with his dog.

I pick up John O’Donohue‘s book “Anam Cara,” a favorite book, which Rev. Susie Leight and I will be leading a book study of starting in July, and I come across this:

“Love is absolutely vital for a human life. For love alone can awaken what is divine with in you. In love, you grow and come to your self. When you learn to love and to let yourself be loved, you come home to the hearth of your own spirit… Love begins with paying attention to others, with an act of gracious self-forgetting. This is the condition in which we grow.”

John O’Donohue, “Anam Cara”

And it’s this openness, this paying attention to others, this self-forgetting, letting go of ourselves, letting go of myself, where I seem to be spending a lot of my time of late. O’Donohue continues:

“Once the soul awakens, the search begins and you can never go back. From then on, you inflamed with a special longing that will never again let you linger in the lowlands of complacency and partial fulfillment. The eternal makes you urgent.”

Maybe this has been a slow build over the last 50 years. Maybe all those different moments I can look back on and feel sitting here now, have all been hints and flickers, breadcrumbs or candles of encouragement. And each epiphany adds to a longing, pushes further into the search. Maybe with the state of the world, the worry, the suffering, the confusion, the time is coming that we need to look at differently and help others do the same; we need to live differently and help others do the same.

Maybe when we have moments of sitting quietly and emptying ourselves out, what’s there that we connect to, is Love (God is Love). And what could be more important to share with each other?

There’s Nothing As Whole As a Broken Heart

“There’s nothing as whole as a broken heart.” I read that sentence and just stopped. And sat. And let it wash over me. We have two different small groups reading Rachel Held Evans’ book “Wholehearted Faith,” during Lent at Christ Church Easton.

In a chapter titled “Where Stone Becomes Flesh,” she quotes Ezekiel:

“A new heart I will give you, and a new spirit I will put within you; and I will remove from your body the heart of stone and give you a heart of flesh.” (Ezekiel 36:26)

If there is anything we need in the world today, it’s to be able to cast off our hard hearts and start working and living with hearts of flesh.

Evans explains it further. She quotes Rabbi Ariel Burger from an interview.

“There’s a Hasidic teaching, from Rebbe Nachman of Breslow: ‘There’s nothing as whole as a broken heart… In these traditions you cultivate a broken heart, which is very different from depression or sadness. It’s the kind of vulnerability, openness, and acute sensitivity to your own suffering and the suffering of others that becomes an opportunity for connection.”

On Thursday night discussing the chapter, someone read this passage, and then added, “I’ve got a broken heart. And if through that, I could help someone else…”

And that’s it. Right there. When we take what we’ve been through, the hurt, the pain, the suffering, and see it and use it and offer it as a way to help others, then love wins.

That’s part of what we are here for. That’s the work that God has given us to do. To love one another.

Amen.

On Being Human

Loneliness hits us all. So do suffering, loss, and pain. Hopefully so do joy, wonder, and love. But it’s easy to feel like we’re on an island. And then something happens, when maybe just for a moment, we find a connection. Someone says something or we read something and it washes over us–someone else feels that way, or ‘yes, that’s it–that’s the feeling!’ or ‘I can’t believe someone else thinks that!’

So often it’s language that connects us. It gives words to our feelings, our thoughts, our pain, our joy, our curiosity. If you are like me, that’s a feeling I get from reading, and from some writers and poets more than others.

I knew what my first tattoo was going to be the first day we studied William Blake in Dr. Gillin’s British Romanticism class at Washington College. I was 24 years old and we were discussing Blake’s poem, “The Marriage of Heaven and Hell.” It’s a big, unwieldy, hard to get your head around, free form puzzle on first glance and I remember thinking that I didn’t know you could do that in poetry. This morning, looking over different sections of “Proverbs of Hell,” I got that awestruck feeling all over again. Here are some dropped in at random:

The road of excess leads to the palace of wisdom.

Eternity is in love with the productions of time.

If the fool would persist in his folly he would become wise.

Excess of sorrow laughs. Excess of joy weeps.

The bird a nest, the spider a web, man friendship.

What is now proved was once only imagined.

They are like hand grenades that go off in your mind. He changed what I thought you could do with writing. He spoke things that I hadn’t yet found words for. And now I carry around his engraving “The Ancient of Days” (at the top of the page) on my left shoulder. I remember Dr. Gillin talking about the art saying it was God creating order in the universe.

In that same class we encountered William Wordsworth. And he is a poet who wrote about connected to nature and wonder the way I felt and thought about them. I can’t tell you how many times I have read, quoted, and contemplated his poem “Lines Composed a Few Miles Above Tintern Abbey.”

This past fall I had coffee with friend and mentor John Miller. John has been a long-time instructor at Chesapeake Forum, dating back to when it began as “The Academy for Lifelong Learning” at the Chesapeake Bay Maritime Museum, where we worked together.

John and I have gotten together for coffee and to talk literature and life over the past couple years, including talking about the passing and great memories of our friend, former co-worker, and John’s co-leader in countless literature classes, John Ford.

As we sat outside along the street in September, John Miller had something on his mind. He started reading aloud from John Milton’s elegy “Lycidas,” in which Milton mourns the drowning of a friend, class mate, and fellow poet and wonders about his own mortality and if our struggle is all worth it.

And the thing we kept coming back to was the way language, the way poetry, can give voice to all the things we feel and think and encounter in this business of being human. The power of language to help us get our heads and hearts around being human.

And Blake and Wordsworth were two other poets who came up in the discussion. And we went back and forth over e-mail and phone calls and what we have coming up over three Zoom sessions on Thursdays, January 27, February 3 and 10, from 10:00 to 11:30am is Milton, Blake and Wordsworth: On Being Human.

This is not an academic study of poetry. This is a look at how poetry can give us the words to help us connect to each other; to help us make some kind of sense of what it is to live a life, to grieve, to see into the heart of things; to connect to God through nature.

I go back to a line that Robin Williams delivers as John Keating, the English teacher in Dead Poets Society:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

I have held that notion to be exactly so and tried to live my life, at least in part, along those lines.

And that’s the spirit we will approach Milton, Blake and Wordsworth with, as we discuss what it is to be human, and how language and poetry can connect us.

In the Weeds

When I worked in restaurants, being “in the weeds” meant you were up to your eyeballs in orders, trying to make sense of everything and get the food out, and kindly don’t talk to me right now unless you are here to help. When I was writing for the Coast Guard, it meant something different.

If you were in a meeting and someone said you were “in the weeds,” it meant you were too far down into the finer details to see the big picture. You needed to zoom out.

Last night, watching the sun and blue sky battling against a weekend’s worth of gray clouds, or this morning, skateboarding around the Oxford Conservation Park and cemetery, “in the weeds” means looking from a different perspective. It is looking at the sky from the terrestrial perspective of being in the weeds. And it shifts things.

It is a way of being grounded, balancing lofty with land. There are times when it is helpful to look closer.

There is a non-profit organization called “The Moth,” which is dedicated to storytelling; to helping people tell their stories, “live, onstage, and without notes.” If we know each other’s stories, we become human to one another. I’m just beginning a book they put together called “Occasional Magic: True Stories About Defying the Impossible.” It’s a collection of stories told on stage, collected around a theme, some by famous people, some by people you’ll meet along the way. As for the title, it:

comes from a story told by Vietnam veteran Larry Kerr. It’s about his intense love for a young woman named Omie, whom he describes as “smart, meltingly lovely, and strong, with a fierce belief in the possibility of occasional magic.”
Occasional magic refers to those moments of beauty, wonder, and clarity, often stumbled upon, where we suddenly see a piece of truth about our life.
(from the introduction by Catherine Burns)

What if we took the time to get to know people’s stories? Like each of us, stories can be everyday, they can be epic, they can be heartbreaking, they can be uplifting, they can be tragic, they can be miraculous, they can be filled with hope, they can be funny, or some combination of each of those and more. There are more stories than people. And in taking the time to get to know them, we recognize ourselves in each other.

Maybe, on Memorial Day, we can wrap our minds and hearts around the stories of the men and women who have died while serving our country. We can remember them not as numbers or statistics, or even names, but as individuals, with stories and connections; with families, dreams, hometowns, friends; and think about the thread that they are, woven into the tapestry that is our collective story. Each thread is a story, each story a person.

These are stories to remember. And if you remember their stories, tell them.

“Sharing tales of those we’ve lost is how we keep from really losing them.”

Mitch Albom

Today, as I think about being in the weeds, I think about shifting my perspective, being grounded, being connected, seeing into the heart of something too easily overlooked. I think about people and their stories, and remembering them.

In Search Of

I didn’t find Big Foot. Or an Indigo Bunting, for that matter, but neither of those things is the point. It’s about searching. More than that, it’s about being out there, and being grateful.

September has been a month of making the most of weekends and doing things that I’ve been wanting/meaning to do for some time. Earlier in the month, the girls and I drove to Asheville, NC, to catch up with friends who moved there three years ago. We hiked, played in streams, visited some breweries (not the girls), sat on decks and caught up, and I even got a happy hour, back porch haircut. It was a great reminder to stay connected to good friends and change the scenery.

After a spring and summer at home and working, September made for a second opportunity to do something different. I stumbled across the C&O Canal Trust. The canal and tow-path are so close to home and so cool–we would occasionally run along it for cross country practice at St. James School, and then I got a 26.3-mile taste of it as part of the JFK 50-Miler more than a decade ago. Future adventures will include staying in canal houses, but in this case, the Trust website pointed me towards canal towns. And in particular, to Shepherdstown, WV, the former stomping grounds of a friend, artist, and mentor of mine. And the weekend assembled itself upon finding Sundogs Bed & Breakfast.

I can’t sing enough praise about Shepherdstown or Sundogs.

Shepherdstown is a college town that reminds me of Chestertown, MD, here on the Shore, but if you put it in the West Virginia mountains. It’s cool, funky, with shops, cafes, restaurants, theaters, a weekend farmer’s market, all built around Shepherd University. And as cool towns do, Shepherdstown has a get-lost-in independent bookstore in Four Seasons Books. It’s still COVID time, there aren’t any sort of gatherings or events going on, and masks were the norm and required to go in anywhere.

For us, looking for a weekend to unplug, unwind, and recharge, it was more about being outside than in town, and Sundogs hit the spot.

When one of your B&B hosts is a horticulturalist who has designed and revitalized gardens for Dumbarton Oaks, The American Horticultural Society River Farm and George Washington’s Mount Vernon Estate, you can bet you are in for something incredible.

It’s maybe a 4 to 5-mile drive out of town, to a 46-acre retreat with trails running all over the property. The five rooms are named after dogs that the owners have rescued, and it’s a dog-friendly inn. Small B&Bs reflect the character, passions, and interests of the owners, and a horticulturalist who designs gardens and a NOAA meteorologist, who are both conservationists, animal rescuers, and fix vegetarian breakfasts for their guests in the morning.

Holly and I spent early mornings with coffee literally surrounded by hummingbirds, reading and bird watching, before hiking trails late mornings and early afternoons. I’m not much of a birder, but the list of birds I saw includes: Goldfinches, hummingbirds, Nuthatches, Tufted Titmice, Cardinals, Red-Bellied Woodpeckers, Downy Woodpeckers, Eastern Bluebirds, Carolina Wrens, Cormorants, Pileated Woodpecker, Red-Shouldered Hawks, and Cedar Waxwings.

Shepherdstown and Sundogs are both places I hope to return to. Which brings me to Indigo Buntings, birds that are around Sundogs, and I am sure were around us. It’s a common enough bird, even on the Eastern Shore where we live, I’ve just never really gotten good eyes on one (I may have seen one fly across the road into the woods while I was driving in Caroline County, it was the right blue, but I can’t count that).

We spent some time at Sundogs searching for Buntings, but not much time. We tried to learn and listen for the song, and walked the edge of the woods and trees in the field where they are often seen. But didn’t make it the focus of the weekend. Nor have I made it too big a focus of watching birds–just something that will be cool when it happens.

What it requires to be ‘in search of’ something is to be out there, to show up, to make the attempt, and that means something. A few years ago, I wrote about being in search of the Snow Bunting (Buntings are a theme), and so much of what I wrote there still stands. It’s more about being tuned in, mindful, and grateful for the search and for the experience. What it means is to get out in nature, to look around, to keep my bird feeders filled and notice who shows up.

As we gear up for fall, there are a number of adventures I am gearing up for, some physical, some mental, some spiritual.

One adventure coming this fall that has been more than a decade in the making is skateboarding the 26-mile Western Maryland Rail Trail in and around Hancock, MD. A friend read about the paved trail when we first found long distance longboarding/skateboarding, it’s just never materialized into an adventure. We’re looking to change that in early fall, likely with a camping/backpacking element to make the most of the trip.

For anyone looking for a cool, scenic biking trek, the Western Maryland Rail Trail Supporters spell out what’s cool about the trail:

The Western Maryland Rail Trail (WMRT) is a 26 mile long paved trail that stretches from a mile west of historic Fort Frederick State Park in Big Pool, Maryland to its western terminus at the Potomac River in Little Orleans, Maryland.

Spectacular river views, vistas of hardwood covered mountains exploding with color in the fall, rock formations, dramatic tunnels, transportation history and pristine wilderness all within a few hours drive from Washington, DC, Baltimore, MD and Pittsburgh, PA. 

The WMRT is perfect for hiking, biking, inline skating (rollerblading) or, weather permitting, cross country skiing. One excellent feature is that the entire trail is handicap accessible. The trail is especially suited to families, novice cyclists (it’s almost completely flat), and  for anyone seeking a pleasant, leisurely ride.

Biking is the most popular use of the WMRT, with 26 miles of paved trail. The excellent western section follows the rugged mountain terrain west of Hancock, offering great views of the Potomac and surrounding mountains, and no interstate noise!

The more time I spend skateboarding, the more I realize, for me, it’s not about doing crazy tricks or accomplishing epic trips that are hard to pull off–it’s about being outside, having fun, skating with friends, with wheels rolling on pavement. In the spirit of being “in search of,” it’s a way of being in search of fun/stoke that only requires you to do it in order to find it.

Adventures of the mind can happen daily. And as a book nerd, those are journeys I look forward to every morning with my coffee. And there is something just cool about mind adventures with a group of fellow readers. We’ve had group reads of Cormac McCarthy’s “Blood Meridian,” David Foster Wallace’s “Infinite Jest” (some actually finished that doorstop of a tome), and some of Thomas Pynchon’s “Mason & Dixon,” which also involved hiking to find Mason Dixon markers.

This fall’s first literary journey was inspired by the trailer for the forthcoming movie Dune. A fairly common view is that Frank Herbert’s epic novel is the best science fiction novel ever written. And I’ve never read it. So we have a group of five of us (so far, two of whom are English teachers, which speaks to the book being literarily legit) who are making the journey through the book. I am a little over 100 pages in, and I am looking for more time to read because it has pulled me in already. I am sure there will be more to come on this front. After Dune, I have been really looking forward to Robert Macfarlane’s “Underland.”

Another adventure of the mind and heart I have begun is reading and learning about Brother David Steindl-Rast, a Bendectine monk, who along with Thomas Merton, has been a big part of conversations in the Buddhist-Christian dialogue (for which Br. David was given Vatican approval in 1967). Through this pandemic time I have been a big fan of “A Network for Grateful Living,” without knowing much about its founder. Much more to come about Br. David. For any who would like to watch, here is a conversation he had with Buddhist monk Thich Nhat Hanh about gratefulness. Each of them glow and laugh and remember, as if they were gratitude personified.

“We were doing peace, not demanding peace… If you are not able to be be peaceful and happy in every step, a peace march is not a peace march.”

Thich Nhat Hanh

The kind of “in search of” that is common to all of these things, is that to search, I have to show up. I have to be an active participant. And that is where the adventure is. Adventures in life, of the mind, and in gratitude.

Repair the World

“Sometime in the early life of the world, something happened to shatter the light of the universe into countless pieces. They lodged as sparks inside every part of creation. The highest human calling is to look for this original light from where we sit, to point to it and gather it up and in so doing to repair the world.”

That’s how Krista Tippett tells the Jewish legend behind the idea of “Tikkun Olam,” or “repair the world.”

Tippett goes on to talk about how Dr. Rachel Naomi Remen sees this legend not as just some far off fantasy, but as hopeful and empowering: “It insists that each one of us, flawed and inadequate as we may feel, has exactly what’s needed to help repair the part of the world that we can see and touch.”

Living in a clearly broken world, as clearly broken people and individuals, what is more hopeful than realizing that despite the darkness around us, that there are sparks of light lodged everywhere. And that we can find those sparks, help point others towards them, and gather the light to help diminish the darkness.

For the last eight weeks, we’ve had a small group through Christ Church Easton reading Tippett’s book, “Speaking of Faith: Why Religion Matters and How to Talk About It.”

This week we looked at Tippett’s calling to “Expose Virtue,” which is a wonderful way to think about the ability and power of conversation, journalism, communication–to show the goodness in the world, one story, one life, one conversation at a time.

Tippett talks about kindness:

“Kindness–an everyday by-product of all the great virtues–is at once the simplest and most weighty discipline human beings can practice. But it is the stuff of moments. It cannot be captured in declarative sentences or conveyed by factual account. It can only be found by looking at ordinary, unsung, endlessly redemptive experience.”

Krista Tippett

Kindness can’t be abstract. It has to be seen, practiced, experienced in the world. It’s not a stretch to connect kindness with repairing the world–it is one of the most needed tools at our disposal.

Tippett talks about “ubuntu,” an African word that points to humanity. “It says, I am through you and you are through me. To the extent that I am estranged from another person, I am less than human.” We can look at this as connected to Jesus telling us to love our neighbors as our selves and/or the Buddhist way of thinking about interdependence.

Something that becomes clear to Tippett as she talks to people is that any notion of kindness, of ubuntu, only start to mean something through telling stories.

“Stories of children changed by adults who care, of groups of colleagues making a difference in a particular corporate culture; of role models and teachers and friendships that altered perspectives and lives. Human relationship–which begins with seeing an “other” as human–is the context in which virtue happens, the context in which character is formed.”

“Speaking of Faith,” as a book is filled with these stories. “On Being,” Tippett’s radio show and podcast is all about sharing these conversations, telling these stories.

Studying the book as a group has made me want to seek out, listen to, and tell the stories that are around me. Our community, and every community is full of people, stories, and kindness, if we shine the light on them. Four Sisters Kabob and Curry and their generosity is a recent one that comes to mind.

But it also makes me want to be a part of more stories, connected to more moments and experiences. Like not missing the opportunity to come together to socially-distanced serenade, with accordion, one of the kindest, most giving, light shiners I have ever encountered, for his 80th birthday.

Tippett talks about a “clear-eyed faith” that–

“asks me to confront my failings and the world’s horrors. It also demands that I search, within all wreckage, for the seeds of creativity, wisdom, and strength. It frees me to see the contours of virtue come alive in the world–of ‘thick’ religion, grounded and refined in practice and thought, text and tradition, and responding in differentiated ways to human reality.”

Despite our failings, we have a chance. Despite my failings, I have a chance.

Especially when it is so easy to be overwhelmed by darkness, our highest calling is to look for light where we sit, where we live, where we work, and share it with others. And in so doing, repair the world.

Here to Wonder

Do you ever get to wondering? I seem to spend a lot of time that way, wondering. There is a conversation towards the end of Alice Walker’s novel “The Color Purple,” where Albert gets to wondering:

“You ast yourself one question, it lead to fifteen. I start to wonder why us need love. Why us suffer. Why us black. Why us men and women… It didn’t take long to realize I didn’t hardly know nothing. And that if you ast yourself why you black or a man or a woman or a bush it don’t mean nothing if you don’t ast why you here, period.”

Now we’re getting somewhere. Our lives are often defined by the questions we ask. So let’s ask the big ones, the juicy ones. And the right ones. So why does Albert think we’re here?

“I think us here to wonder, myself. To wonder. To ast. And that in wondering about the big things and asting about the big things, you learn about the little ones, almost by accident. But you never know nothing more about the big things than you start out with. The more I wonder, the more I love.”

Albert, via Alice Walker, “The Color Purple”

The more I wonder, the more I love. Yes to that, and so much more of it.

I wanted to read “The Color Purple” because of a quote; a quote I read and loved immediately; a quote that spoke directly to my soul and I have thought and used and felt so many times since, that I knew I needed to read the book where it came from.

And when I read it in context of the story, it was even better and deeper. Two of the main characters, Celie and Shug Avery are talking about God. And about how God is not an old white man in robes sitting on a throne. And how “God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don’t know what you looking for.” Shug talking. And what a wonderful way to describe the Holy Spirit.

And Celie asks what God looks like, if not an old white man. And Shug says:

“Don’t look like nothing, she say. It’ ain’t a picture show. It ain’t something you can look at apart from anything else, including yourself. I believe that God is everything, say Shug. Everything that is or ever was or ever will be. And when you feel that, and be happy to feel that, you’ve found It.”

Shug says people “come to church to share God, not find God.” And I love that thought and thinking that sharing God is what church is for.

But none of those are the quote that made me want to read the book. Here’s the conversation:

Shug: God love everything you love–and a mess of stuff you don’t. But more than anything else, God love admiration.
Celie: You saying God vain?
Shug: Naw. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.

And there it is. “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” That quote has been a part of me since I first read it years ago. It describes how I go through life. God made a flower, a field, a planet, a universe for us to wonder at. To ask about. And the more we wonder, the more we ask, the more we love.

And God made us for each other. He made each of us, to love each other and to love Him. And I don’t and won’t ever claim to speak for God, but it seems in the same way, it pisses Him off when we don’t love each other; when we spew hate and not kindness; when we divide, point fingers, and blame, instead of helping each other up, lifting each other’s spirits, using our gifts and His gifts to connect us to each other and to God.

Celie and Shug keep talking (Celie writing) –

What it do when it pissed off? I ast.
Oh, it make something else. People think that pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
Yeah? I say.
Yeah, she say. It always making little surprises and springing them on us when we least expect.
You mean it want to be loved, just like the bible say.
Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved.

Everything wants to be loved. Everyone wants to be loved. God is giving us opportunities–what are we doing with them?

What if we try to notice the color purple? What if we try to see, to really see, and get to know each other? What if we wonder? What if we ask? What if the more we wonder, the more we love.

Quarantine All-stars

I’ve come to realize that living life in quarantine isn’t that much different than my daily life. Less nature than I would like, and my work schedule may actually be busier working from home, but on the whole I dig being at home. In the case of the Coronavirus and everyone being home, and teenage girls having to change their mindset; and just the general mental and emotional uneasiness of a global pandemic, there is something different afoot.

When we look back, everyone will have different things that buoyed them, or helped them re-acclimate, helped them connect. So I thought I’d look at some of my quarantine all-stars to date.

You can’t overstate the importance of music. I concur with Friedrich Nietzsche when he wrote, “Without music, life would be a mistake,” and Kurt Vonnegut who said his epitaph could say, “The only proof he needed for the existence of God was music.”

I am a fan of Nathaniel Rateliff and the Night Sweats. I’ve dug hearing them on 103.1 WRNR. Hearing the title track from his new solo album, “And It’s Still Alright” on the radio, I’ve always let it play. Then multiple people started weighing in with how good the whole album is. Rateliff started writing the album at the unraveling of his marriage and later had to get through the death of a close friend. From his website, talking about the album, and how he worked through what the album wanted to be:

“out of his restless subconscious, helping him address some big life questions — the ones that have stumped philosophers, statesmen and profound thinkers since time began, exploring the unsteady terrain of love and death. But in the end, what he really was doing was creating an homage to his friend.”

It’s an album about questions; it’s an album about getting through things; it’s an album with lines that stick in my head, such as, “If the world goes strange, its dying flames / Would light the end of the last morning.”

Questlove, live from his house, paying tribute to Bill Withers.

A different take on quarantine soundtrack has come from Questlove of the Roots. With the band staying home, Questlove has been holding DJ sessions from his house, raising money for different causes, and paying tribute to eras of music, with his Native Tongues Review, and to Bill Withers who just died, with Bill Still. I am telling you, if you want to put something on in your house and let it play for a couple hours, Native Tongues brings back an era of hip hop with A Tribe Called Quest, De La Soul, the Jungle Brothers, you name it, some formative bands, and just blending it altogether. And Bill Withers, man, the whole session is just smooth and flowing and feels good.

I’m used to Questlove being the drummer and front man for one of my favorite bands. He’s written books and been featured in great articles, and this social media scholar and DJ is just another aspect of a guy who carries the cool banner for this, and other eras.

From music to movies. I’ve watched Rian Johnson’s “Knives Out,” multiple times now. I didn’t catch it in the theaters, so one night I kicked back and pulled it up at home. And I knew I needed to check it out again. So a few nights ago, I pulled my daughters into the next screening. Both girls loved it, Anna (18) said it was the best movie she’d seen in a long time, and maybe one of her favorites. It’s a great whodunnit-typed movie; it’s got James Bond (Daniel Craig) and Captain America (Chris Evans), who play roles nothing like their famous characters; and as someone who likes to figure movies out, even when halfway through the movie you think you know everything, you don’t. Not even close.

Screens certainly dominate media these days. And I am psyched that “Cheers” is now on Netflix; “The Office” is a constant connection, time-filler, and connector between the girls and I, who quote it back and forth frequently; and I have them part-way through the series “Lost,” which was a favorite show of mine while it was on TV.

You know I have to finish with books. We have had substantial reading going with work–studies of John’s Gospel, which started last October, a quick devotional through Matthew’s Gospel for Lent, and looking for our next online classes–but in this case, I am looking at the just for fun reading.

On the graphic novel front, Kieron Gillen’s “Once and Future” plays King Arthur’s legend into our modern world, which is a trippy, mythical, re-imaging as a kind of ghost story. I ate Arthurian legend stuff up growing up (named our Golden Retriever “Morgan” after King Arthur’s sister when I was nine) and Gillen has become a writer who I try to read about everything I can from. Christian Ward is known as an artist, but is trying his hand at writing and in Machine Gun Wizards, he looks at Eliot Ness and prohibition, but if prohibition was outlawing magic, not booze. And what can I say about Neil Gaiman’s “Sandman,” which was cited as one of the 100 best books (not graphic novels, books) of the century. It bears reading and re-reading. And since a friend and I are currently taking Gaiman’s masterclass on storytelling, this seemed like a great time to dig back into the world of dream and open my imagination.

I’m 180-something pages into Emily St. John Mandel’s “Station Eleven,” which we will be doing an online/Zoom book club for in the very near future. I am having a lot of fun with it. It’s set after the collapse of civilization due to a global pandemic virus. This is one of the blurbs that pulled me in:

“An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.”

A motto of one of the main characters is “Survival is insufficient.”

Sometimes when we enter new territory, it’s not novelty we need, but familiarity. We need something to ground us and help us get our footing. I’ve written a lot about Jim Harrison, who I consider one of the writers to have the biggest impact on me, both through his writing, his persona, and how he lived his life. And despite having written numerous great novels, novellas, and short stories, it’s often his poetry that I end up keeping nearby.

I was reminded recently of Harrison’s poem, “I believe.” He lists things he believes in, which include: steep drop-offs, empty swimming pools, the overgrown path to the lake, abandoned farmhouses, gravel roads that end, leaky wooden boats…”

You know what? I’ll let you read it for yourself, noting that the poem ends with “struggling to stay alive in a world that grinds them underfoot.” Let me just say that music, movies, books–these thinks aren’t just diversions that distract us from what’s going on in the world; instead, they are connection, connecting us to the artists, connecting us to something bigger than ourselves; connecting us to each other through music, art, and stories; and in the process of creation, connecting us to God.

Making Minutes into Moments

“To take a minute and make it a moment is a holy thing,” Fr. Bill Ortt said in a sermon at Christ Church Easton earlier this month. It’s a message he’s been working to get across for a good part of the year. Minutes pass endlessly, but how many of them become moments for us? How many feel like time stops or alters and they become touchstone experiences, ingrained memories, part of our DNA.

I’ve been reading Tim Kreider‘s book of essays, “We Learn Nothing.” In the incredible essay, “The Czar’s Daughter,” he talks about the life, stories, death, and memories of a friend they called Skelly. Kreider remembers he and Skelly driving to the author’s cabin after a blizzard, where a grove of bamboo had bent under the weight of the snow, forming an archway.

“We walked down through that icy arcade tugging on each bamboo tree until we’d shaken loose enough weight that it would spring back up into the air, flinging its load of snow glittering fifty feet in the sky. It was so beautiful, and so much fun, that we both got giddy, laughing like kids on a snow day. Only he and I were there in that moment; now he’s gone. If you do not know someone by sharing such a memory, then you cannot ever know anyone at all. If that moment was not true, then nothing is.”

That’s a moment. I know those snow moments. Reading that took me back to the winter of 1995-96, snow blasting Oxford in a time where everyone just opted to stay home and maybe walk through the snow down to Schooner’s Llanding to sit by the fire, day drink, and eat seafood chowder out of bread bowls. But my memory, my moment, was walking through town and all the way out to the cemetery, in the middle of the night, with a long-time friend, lost in conversation, laughter, memories, and occasional deep thought, completely unaware of the cold or the time passing. I can’t recall a single thing that was said, but the moment is as strong as if it happened yesterday.

Another snow moment (snowment?) happened in December 2009 (pictured above), when we got snow dumped on us like crazy and Anna and I went exploring Easton, taking in the town in an almost white-out. We thought we’d get out and hit the playground at Idlewild Park, but the wind was whipping and snow was pelting our eyes so we stopped and opted for a photo, before continuing our exploring. It’s a photo that stands out in my mind–one I will always picture when thinking of Anna, and the experience of driving through town in the snow stands as a daddy-daughter moment.

What is it that helps create those moments for us? Mindfulness or awareness would be one thing. Being able to look around and take things in and not miss what’s going on around us. Most of us don’t count sunrises. They happen every morning–nothing momentous, right? But what if you make the time to take a few breaths and let the taste of coffee linger on your tongue while you watch the horizon. Or better yet, on a morning that you are blown away by the colors, throw your arms up and drink in the experience fully. Moments are there to be made.

In his book, “The Experience of Place,” Tony Hiss talks about simultaneous perception. He says there is our everyday perception, which allows us drive to places, accomplish tasks, times where we aren’t really dialed in to what’s going on around us. Hiss says that shifting to simultaneous perception:

“let’s me gently focus my attention and allows a more general awareness of a great many things at once: sights, sounds, smells, and sensations of touch and balance, as well as thoughts and feelings. When this kind of general awareness occurs, I feel relaxed and alert at the same time… I notice a sort of unhurried feeling–a feeling that there’s enough time to savor all the sights and sounds and other sensations coming in.”

Maybe we’ve all had those experiences, where we become keenly aware of a smell, and sound, and sight–maybe it’s spurred from tasting something off the grill outside, or ice cream near the river. A time when all of our senses are engaged and time seems to move differently. Mindfulness has a way of helping us be fully in the moment. Maybe being in the moment helps us create more moments?

When I think of the different moments I can call up from memory–some recent, some as far back as I can remember: I can remember my grandmother (my dad’s mother) who died before I turned five, she used to pretend to be the Terrible Tickler from a Sesame Street book we would read together, I must have been two or three–and I can see her, remember her, lovingly and jokingly coming to greet me, even though I can’t picture what her face looked like. Maybe the moments that are etched into our memories, that have become a part of who we are; maybe those moments are like lights in our minds, and as we look back on them, as we recall them, call them up, maybe those moments help light our way, through the everyday, to the place where we can look to, and be more open to, experiencing moments, making minutes into moments for today.

Mapmakers & Travelers

“I don’t know, maybe your experience differed from mine. For me, growing up as a human being on the planet Earth in the twenty-first century was a real kick in the teeth. Existentially speaking.” – Ernest Cline, “Ready Player One.”

Ernest Cline lured me in with Oingo Boingo, got me to sit down with Atari 2600, and handed out popcorn with 80’s pop culture references in spades. For the better part of two summers growing up, I had a boombox covered with skateboard grip-tape and anarchy symbols on my 13-foot Boston Whaler. The cassette tape that lived in the boombox was dubbed from vinyl records: on one side was Bob Marley “Exodus” and on the other was Oingo Boingo “Dead Man’s Party.”

I can’t tell you how many times we listened to that song. I can hear the music over the wail of the outboard motor with the boat planing. Cline conjured up the beginning of Dead Man’s Party and I was there.

Ready Player One’s main character Wade Watts is born into a crappy existence where virtual reality (the OASIS) is much more inviting and compelling than real life. And the more he learns about history and life in general, the further he is convinced that life is a raw deal.

“I started to figure out the ugly truth as soon as I began to explore the free OASIS libraries. The facts were right there waiting for me, hidden in old books written by people who weren’t afraid to be honest. Artists and scientists and philosophers and poets, many of them long dead. As I read the words they’d left behind, I finally began to get a grip on the situation. My situation. Our situation. What most people referred to as ‘the human condition.’ It was not good news.” – Ernest Cline, “Ready Player One”

Map of the world of Greyhawk. Yeah, definitely spent more than a normal amount of time pouring over, recreating, and drawing my own maps on graph paper.

Cline walks us through the interior minds of any of us who grew up immersed in pop culture and fantasy during the 1980s. And he also walks us through our current culture and the pull of virtual/screen reality over the world around us. He both maps it and travels the terrain. I’ve been mulling over a comment from Brene Brown in her book “Daring Greatly,” when she says:

“I have found that the most difficult and most rewarding challenge of my work is how to be both a mapmaker and a traveler.”

Brene Brown, Daring Greatly

I’ve been fascinated by maps for as long as I can recall, and it could have started with the map of Greyhawk above. But it’s not just the map itself–hiking through the White Mountains more than 10 years ago, and seeing where we were on the map, there was just something inherently cool about it. Maybe it’s a combination of knowledge and adventure, which multiply into some sort of lived truth. It’s also the idea of charting the intersection of imagination and culture, say in Cline’s case, which made reading feel like both a revelation and an adventure, and left my head spinning.

Neil Gaiman, taken by his wife Amanda Palmer

“Truth is not in what happens, but in what it tells us about who we are.” If you want to get inspired to read and fire up your imagination, go read Maria Popova’s piece on Neil Gaiman writing about what books do for the human experience.

In the mornings, when I read or pray, my mind, heart, and soul soar and dive and question and sit in awe and wonder. That’s part of being a traveler, making an interior journey. For me, there is then something in the act of trying to write down what I am seeing, feeling, wondering about; the act of writing becomes an act of mapmaking. I try to do the same thing when my mind wanders somewhere cool while running or whatever I am doing (hence always having a notebook and pen in my pockets).

Gaiman goes on to give his own take on things hidden in old books:

“Books are the way that we communicate with the dead. The way that we learn lessons from those who are no longer with us, that humanity has built on itself, progressed, made knowledge incremental rather than something that has to be relearned, over and over. There are tales that are older than most countries, tales that have long outlasted the cultures and the buildings in which they were first told.”

So many times it’s the old tales. When we study the Bible, I am always taken to these other places, God journeys, that almost always end up also describing something I am currently feeling, or a feeling I know. So the journeys become linked; the traveling is not alone.

Maybe the act of reading, the act of imagining, the act of praying, is also an act of connecting. It can be connecting with the past, connecting with the writer, connecting with God. But we are forming connections. We aren’t the first or the last to find or feel them. But in the same way that we benefit from what these cultures, writers, and artists have left behind–the maps they have given us–maybe we are compelled to chart out our travels, our journeys, so that we can leave them behind for others to do the same.

Maybe we can help make some better news for the human condition.