Books are time travel devices on their own. But when you take a book off your shelf that you have read, all kinds of associated memories come rolling back. Re-reading three books this week, weaving in and out of time, life comes up.
I first learned about T.H. White’s novel “The Once and Future King” from one of the X-Men movies where Patrick Stewart as Professor Xavier has his students reading it (that was X2 in 2003). I’ve loved King Arthur stories and legends since I was a kid–when I was 9 years old I named our new Golden Retriever “Morgan” after King Arthur’s devious half-sister Morgan Le Fay. So it didn’t take much prompting, finding out White’s novel was a modern, moving, funny re-telling of the Arthur story, I was all in. My brother-in-law mentioned he’s given more copies of that book to people than any other book and he named a bearded dragon King Pellinore after White’s version of the character.
Merlyn is phenomenal, from his physical introduction in the story, to his life philosophies:
“The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”
Learn why the world wags and what wags it.
I’ve started the book maybe three times over the years, read 100+ or 200+ pages and life has happened in a way that has made me put it down, despite being drawn in.
2018 was the last time I tried to make time to read “The Once and Future King.” I found a note I left myself on page 154–that is where I stopped. This past week, studying the Pre-Reformation Church in England for seminary, Sir Thomas Malory’s “Morte D’Arthur” was discussed and a quick line about White’s updated telling. That was enough to motivate me. I started again and knocked out 30 pages this morning, making a goal to finish it before the end of the year.
Photo from Smith reading from “Life on Mars” at “The Universe in Verse” with Maria Popova.
Sitting on the campus of the National War College in DC 10 years ago, I read Tracy K. Smith’s “Life on Mars” on my lunch breaks. It won the Pulitzer Prize for Poetry. My mind was thrown open and my jaw was frequently dropped while reading.
My friend John Miller and I are going to lead a discussion on Smith’s book in January and February for Chesapeake Forum. I grabbed my copy from the bookshelf in my bedroom and the bookmark I had in the book was my ordering receipt from Barnes and Noble, May 2012. I have lived in three houses since the house it was delivered to.
This morning I read this, from the poem, “My God, It’s Full of Stars”–
…I want to be
One notch below bedlam, like a radio without a dial.
Wide open, so everything floods at once.
And sealed tight, so nothing escapes. Not even time,
Which should curl in on itself and loop around like smoke.
Reading today, what I read 10 years ago, finding the receipt with an old address on it from what feels like a different life, time did curl in on itself.
“My God, It’s Full of Stars” is how I feel every time I look up at a clear night sky.
The last book doesn’t go back so far, but it washes over me in new ways each time I read it. I found Rowan Williams’ “Being Christian” in 2019 and have led three classes using it for perspective on what the things we do as Christians are all about. This fall we have 20 people in our newcomers class at Christ Church Easton, a new group of folks wading through Williams. Last week, we talked about baptism, but the former Archbishop of Canterbury goes deeper than most of us go. He talks about how we have lost our identities, we have let go of them. Our default settings aren’t the way they should be. Enter Jesus.
“And when Jesus arrives on the scene he restores humanity to where it should be. But that in itself means that Jesus, as he restores humanity ‘from within’ (so to speak), has come down into the chaos of our human world. Jesus had to come down fully to our level, where things are shapeless and meaningless, in a state of vulnerability and unprotectedness, if real humanity is to come to birth.
“This suggests that the new humanity that is created around Jesus is not a humanity that is always going to be successful and in control of things, but a humanity that can reach out its hand from the depths of chaos, to be touched by the hand of God.”
Baptism is going down into the chaos and coming up as new people, in a new relationship with God in Christ. Not as perfect or flawless, but one where we can reach out to be touched by God. That’s not generally what we think about when we attend a baptism, though it’s all right there in the vows.
Williams has this wonderful way of looking at the kind of life that is begun anew through baptism:
A life that gives us resources and strength to ask questions; a life that reconciles and builds bridges and repairs broken relationships–a life that reflects God’s wisdom and order. That sounds like a life worth living.
My mind moves forwards and backwards in time re-reading books, wandering through memories, and leaning into both goals and daydreams. “Once and Future,” stands out as a phrase that touches on something about that.
For those of us who have been in and around Easton for any time, Waterfowl Festival is an event that moves in both directions as well. As a kid, I watched my mom cut greens and decorate buildings and saw my dad cooking and serving food with the Kiwanis Club in town. Over the years, it’s been a fun reason to either walk through town as a spectacle, or avoid town altogether.
For the past six years (of my life, the church has been doing it much longer), Waterfowl Festival has meant Christ Church coming together to decorate, to serve food, to be together, to raise funds that go back out into the community, where they are needed. That points to Williams’ idea of a communal life that “looks toward reconciliation, building bridges, repairing shattered relationships.” It’s a step in the right direction. It’s among the work we are sent out to do.
