art | Michael Valliant

A Francis Experience

Context: October 4 is set aside as the Feast of St. Francis. It’s a day I celebrate by both remembering him and by trying to be outside and honor the environment and creatures he so loved. The image at the top of the page is from artist Sue Betanzos, who creates art for people who love animals and nature, and whose portrayals of St. Francis, I rather dig. At this week’s healing service at Christ Church Easton, I gave a short homily on Francis, the text of which is below.

“A Francis Experience”

I first experienced God outside, in Creation. And that is still where I experience God’s presence most frequently. So when I first came across St. Francis of Assisi years ago, in context of being the patron saint of the environment and of animals, I was drawn to him.

If you dig into his life and teachings, Francis (1181/82 – 1226) is fascinating. He was the son of a wealthy merchant and he lived it up until he was taken prisoner in battle and held captive for a year. Following his release, he was sick for a year and during that time he had dreams and visions that caused him to transform his life. He was in his early 20s when this happened. And he proceeded to live a life most of us couldn’t handle or live up to. He embraced and marveled in all of God’s creation.

We hear stories and picture Francis preaching to animals and wandering around in fields taking in and basking in God’s love. But that misses so much of who he was. People who lived at the same time he did said Francis lived out the Sermon on the Mount better than anyone besides Jesus. Taken that a step further, it is St. Francis who many hold up as the human being who most fully lived out what it is to live a life of Christ-like love.

The current Pope adopted the name Francis after St. Francis, and there is an order of Franciscan friars or monks, among whom Richard Rohr—who is one of my go-to theologians and writers—is one of the most widely published public figures. About Francis, Rohr says:

“The truth of Francis’ respect for animals is far more profound than mere “birdbath Franciscanism” lets on. Everything was a mirror for Francis. What he saw in the natural world, in the sky, in animals, and even plants was a reflection of God’s glory. His first biographer, Thomas of Celano, writes about how Francis was constantly praising creatures for giving God glory just by their very existence. They could simply be and be themselves. Eventually, nature mirrored back the same message to Francis himself: He could just be and be himself in all of his freedom and joy and poverty.”

In my experience, teenagers don’t often get excited about things that their parents get excited about. This past Saturday, Holly and I were sitting on the deck, in a wonderful light breeze, reading and watching and listening to birds at the feeders in the back yard. My 19-year-old daughter Ava came out to join us. She knows how I get worked up over sunrises and sunsets and birds.

We sat outside having a wonderful conversation and laughing. And using the Merlin Bird App Sound ID, we were hearing a new-to-us bird, an American Redstart, a migratory warbler, that are coming through the area in big numbers right now. The adult males are black and orange similar to a Baltimore Oriole (the bird, not the baseball team). We started seeing two small gray and yellow birds and Ava became fascinated by them, and was able to spot them everywhere they went around the yard—she was totally absorbed and dialed-in to their presence. It was like watching a little kid follow a butterfly around. Turns out they were immature and/or female Redstarts, which is how most of them look in the fall.

Photos are from the Merlin Bird App from Cornell Lab.

It was the simplest, most incredible afternoon and Holly and I looked at each other and said, “This is the very best stuff.”

One more story. Seventeen years ago a friend and I decided we wanted to run an ultramarathon, a race longer than a marathon, and we picked a 34-mile trail race around Holiday Lake in Appomattox, Virginia. The race was directed by a guy who once held the records for fastest hikes of the Appalachian Trail and the Pacific Crest Trail.

It was early February. It was 14 degrees and the race started in the dark, a few hundred of us running through the woods on singletrack trails with headlamps. It’s hilly, and beautiful, and we’re winding along next to the frozen lake.

As the sun comes up, there is fog lifting off the lake and this crazy, loud sound, which sounds just like whales communicating back and forth, is echoing through the woods. I’ve never heard anything like it. It’s the ice beginning to melt and cracking and shifting the length of the lake.

We move just away from the lake, into an opening field and meadow, the sun is moving into the sky and reflecting off frost all over the trees and ground. The group of us running together have never met, don’t know each other at all, and as we are all taking this scene in, in awe and wonder, a woman says, “This is why I do this.” And that begins a conversation with a handful of us, new friendships over the next several miles.

Backyard birding with Ava and running around the lake in the winter, these are what I call having a Francis Experience. I can describe so many of them, with new ones each week. I wonder if you have had your own Francis experiences, outside, in Creation, where you felt love and connection in a simple and deep way.

When we remember St. Francis in our prayer book, it is with the prayer that is attributed to him, “Lord make me an instrument of your peace, where there is hatred, let us so love” and so on.

Today, I will leave you with some of Francis’s words you may not have heard, an excerpt from his “Canticle of Brother Sun and Sister Moon,” which give you a sense of how he looked at and revered God, Creation, and everything and everyone therein:

“Praised be You my Lord with all Your creatures,
especially Sir Brother Sun,
Who is the day through whom You give us light.
And he is beautiful and radiant with great splendour,
Of You Most High, he bears the likeness.

Praised be You, my Lord, through Sister Moon and the stars,
In the heavens you have made them bright, precious and fair.

Praised be You, my Lord, through Brothers Wind and Air,
And fair and stormy, all weather’s moods,
by which You cherish all that You have made.

Praised be You my Lord through Sister Water,
So useful, humble, precious and pure.

Praised be You my Lord through Brother Fire,
through whom You light the night and he is beautiful and playful and robust and strong.

Praised be You my Lord through our Sister,
Mother Earth
who sustains and governs us,
producing varied fruits with coloured flowers and herbs.

Praise be You my Lord through those who grant pardon for love of You and bear sickness and trial.

Blessed are those who endure in peace, By You Most High, they will be crowned.”

This Feast of St. Francis, today and every day, may we have, may we cultivate, and may we share our Francis Experiences.

Grace leans out of the alley

As a people, we get in our own way a lot. We make ourselves so busy, so manic, so overscheduled, and so quick to be heard that we rarely listen. And what and to whom we listen are often suspect.

“[A]lmost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of ‘psst’ that you usually can’t even hear because you’re in such a rush to or from something important you’ve tried to engineer.”
David Foster Wallce, Infinite Jest

I dig David Foster Wallace’s image of destiny leaning out of the alley, but we’re too busy to hear it. And the reason destiny, the big, epic, cool, yummy ideas and things that could fill and direct our lives, is left hanging out in the alley is that we’ve unknowingly designed the cities that are our lives and that is the space we’ve often left the stuff that might really matter.

Yesterday (Ash Wednesday) was the beginning of Lent. In N.T. Wright’s devotional book, “Lent for Everyone: Matthew, Year A,” he gives us a reading and some thoughts each day of the season. He begins with reminding us that when God does something new, he often involves unlikely, frequently surprised or alarmed people:

“He asks them to trust him in a new way, to put aside their natural reactions, to listen humbly for a fresh word and to act on it without knowing exactly how it’s going to work out… we may have to put our initial reactions on hold and be prepared to hear new words, to think new thoughts, and to live them out.”

I wonder if destiny isn’t the only thing we’ve shoved in the alley; I wonder if we’ve put grace there too. As we head into Lent and look for fresh words, new thoughts, and seasonal and spiritual renewal–maybe grace leans out of the alley to remind us it is there for the taking, our taking, our lives, and our hearts.

Preaching at an Ash Wednesday service at Christ Church Easton, Fr. Bill Ortt put it like this:

You are loved
You are forgiven
God wants his grace to be a part of your life.

And he quoted Psalm 90, which says, “Teach us to number our days, so that we might apply our hearts to wisdom.” (verse 12, KJV)

Mortality has loomed large in our community lately. We don’t need reminders. But that is one thing that Ash Wednesday does for us anyway. We come from dust and to dust we shall return. So we need to use the time we have the best we can. In numbering our days, we feel and learn the urgency and necessity of wisdom.

Allowing grace to speak to us, allowing grace into our lives, living into forgiveness so that we can let go of our past and be present now, and step towards what will be.

Seen/scene during Ava’s stay at Children’s Hospital in DC for testing and observation.

After Ash Wednesday services, I headed to Children’s Hospital in DC, where younger daughter Ava is staying for a few days for tests and observation to see if they can learn more about her seizures and spells. As we’re sitting in her room after breakfast, she puts on “Into the Spider-Verse,” a movie we both love.

Miles Morales is a young teenager in a new school and he doesn’t have a clue how he fits in or who he is supposed to be. After he tries to fail his way out of the school, his physics teacher calls him out and assigns him an essay.

“I’m assigning you an essay, not about physics, but about you and what kind of person you want to be.”

That’s a question we need to continually ask ourselves; an ongoing conversation. During the course of the movie, Miles finds his own way, not the way that the other Spider-Men and Women have, but a way that is his. He takes the book “Great Expectations,” turns it into street art of “No Expectations,” and lives into his personal destiny.

Maybe grace is how we get to our destiny. Maybe by reconciling and letting go of our past and the world’s designs for who we are supposed to be, and stepping into God’s grace, forgiveness, and vision for us, we can become who we are meant to be.

“My name is Miles Morales. I was bitten by a radioactive spider, and for like two days, I’ve been the one and only Spider-Man. I think you know the rest. I finished my essay. Saved a bunch of people…. And when I feel alone, like no one understands what I’m going through, I remember my friends who get it. I never thought I’d be able to do any of this stuff, but I can. “

Through God’s grace, we can. So when destiny, clothed in grace, leans out of the alley, stop, lean in, and listen.

Of sleeves & cave walls

My mind is dancing, fickle like fire. It won’t stand still–it jumps, flicks tongues, wall rides, scattering darkness, but dives back down before illuminating. Can’t see what’s there.

I’m sitting in a cave. It’s me, the fire, others in the cave. The girls, probably wondering what we’re doing in a cave…

Can’t make out the cave walls. There are shadows. I need to stoke the fire. With what? Drugs bring smoke but no additional light. They are not the stoke. Prayer. Adventure. Creativity. Nature. God.

tucked up in clefts in the cliffs
growing strict fields of corn and beans
sinking deeper and deeper in the earth
up to your hips in Gods
your head all turned to eagle-down
& lightning for knees and elbows
your eyes full of pollen
the smell of bats
the flavor of sandstone
grit on the tongue.
women
birthing
at the food of ladders in the dark.

Gary Snyder chants. The flames dance higher. Figures on the wall…

Art. Poetry. Drawings. The child, surrounded by nature, is the one connected to the Universe… “whoever does not receive the kingdom of God as a little child will never enter it.” (Luke 18:17)… childhood wonder in the eyes of a child. I know these drawings. I’ve seen them. I’ve written about them, read about them. Snyder’s book “Turtle Island” is never far from my backpack.

Caves. Fire. Shelter. Food. Primal elements. Fire meant food, community. It still does. Fire pulls the tribe together. It is conversation, happy hour, camping, return from a trail run to crack a beer, sip soup and share stories. Fire lets us see in the dark.

The cave has more. Skateboarding. Future Primitive. A love that began at 13 and has continued through today at 46 and tomorrow at whatever age. The figures on the wall look like this…

Lance Mountain. The figures are also running. Tribal. More of the cave, the walls are showing now. Scenes, images, symbols from my life. The girls. Birds. A cross. Fish. Notebook and pen. Passions. Shared experiences. Spelled out on the walls of the cave. Plato would be pleased.

I get up and walk to further parts of the cave. The walls are bare. They are uncovered. Unwritten. Still to be written. The writing is from life. From love. From experience. What is the rest of the story? What symbols? What art?

What becomes paintings on the cave walls begins as dreams. Neil Gaiman knows dreams. He has written Dream’s story in epic and graphic fashion. He begins “The Sandman, Vol. 6: Fables & Reflections” with an artist, a playwright and director who is afraid of heights. In his dreams, he fears falling. He believes there are two possible outcomes to falling in a dream: either you wake up, or you die. No good outcome.

And the artist, the dreamer, finds himself in a dream, climbing. At the top of the mountain, he meets Dream. Dream points out that there is a third alternative. “Sometimes when you fall, you fly.”

The most unlikely scenario. It flies in the face of common sense. But we aren’t talking sense. We are talking dreams. Why would anything sensical wind up as a cave painting?

* Originally written and published on December 10, 2014, with some revisions now.

Getting Connected: The Feast of St. Francis

St. Francis was not in the movie “Stripes.” He’s not that (“my friends call me psycho”/lighten up) Francis. I think the first time I connected Francis of Assisi to words was the prayer that is attributed to him:

“Lord, make us instruments of your peace.
Where there is hatred, let us sow love;
where there is injury, pardon;
where there is discord, union;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
where there is sadness, joy.
Grant that we may not so much seek to be consoled as to console;
to be understood as to understand; to be loved as to love.
For it is in giving that we receive; it is in pardoning that we are pardoned; and it is in dying that we are born to eternal life. Amen.”

And I thought, I want what that guy has. I want to get to that place. It is not an easy road. And then I realized that St. Francis is the guy who is always pictured with animals, connected to nature, known as a hippy in some circles, patron saint of the environment. So more good stuff.

And as I’ve come to find writers and thinkers who resonate, open doors, help me name things, or get out of my own way, one of those folks is Richard Rohr, who is a Franciscan friar/monk.

Today (Oct. 4) is the “Feast of St. Francis,” which has given me a bunch to think on. Rohr’s book “Eager to Love,” outlines “the alternative way of Francis of Assisi.” In his preface, Rohr says:

“We are each loved by God in a particular and incomparable way, as in the case of a bride and bridegroom.” Francis and Clare knew that the love God has for each soul is unique and made to order… Divine intimacy is always and precisely particular and made to order–and thus ‘intimate.'”

If you dig into his life and teachings, Francis (1182-1286) is a fascinating friar. Son of a wealthy merchant who lived it up, was captured, got sick, had dreams and visions and transformed his life. He lived a life most of us couldn’t handle or live up to. He embraced and marveled in all of God’s creation. Again from Rohr:

“In Franciscan mysticism, there is no distinction between sacred and profane. All of the world is sacred… you can pray always and everything that happens is potentially sacred if you allow it to be. Our job as humans is to make admiration of others and adoration of God fully conscious and deliberate.”

All the world is sacred, pray always, everything that happens to you is a chance to find meaning and grace. Francis is often depicted in nature, praying with and spending time with animals. I think artist Sue Betanzos, who creates whimsical paintings of St. Francis, and whose painting is the featured image at the top of this post (used with the artist’s permission), gets his connection to nature.

On this Feast of St. Francis, I want to make it a point to study him more, his life, writing, and teachings. One of the things he seems to get is the idea that we are all connected to everything–God, each other, nature/creation, it’s all rolled into one. As Rohr puts it:

“The great irony of faith is that authentic God experience does indeed make you know that you are quite special, favorite, and chosen–but you realize others are too! That is the giveaway that your experience is authentic, although it may take a while to get there. You are indeed hurting–and others are too. Your only greatness is that you share the common greatness of the whole communion of saints. Your membership in the communion of sinners is a burden you can now carry patiently because others are also carrying it with you. You are finally inside what Thomas Merton calls ‘the general dance.’ You no longer need to be personally correct as much as you need to be connected.”

We don’t need to be correct, we need to be connected. And what St. Francis got, what Rohr gets, what Christ was making known to us, among so many other things, is that we are all connected, to God, each other, the Universe/Creation. Now we just need to start acting like it, both for the joy, the wonder, and the stewardship that is entrusted to us.

St. Francis connects all the dots in his “Canticle of Brother Sun,” quoted in part below the stained glass:

Praised be you, my Lord, with all your creatures,
especially by Brother Sun,
who is the day through whom you give us light.
He is beautiful and radiant with great splendor,
of You Most High, he bears the likeness.

Praised be You, My Lord through Sister Moon and the stars,
In the heavens you have made them bright, precious and fair.

Praised be You, my Lord, through Brothers Wind and Air,
And fair and stormy, all weather’s moods,
by which You cherish all that You have made.

Praised be You, my Lord, through Sister Water,
So useful, humble, precious and pure.

Praised be You, my Lord, through Brother Fire,
through whom You light the night and he is beautiful and playful and robust and strong.

Praised be You, my Lord, through our Sister,
Mother Earth
who sustains and governs us,
producing varied fruits with coloured flowers and herbs.

Frosting or Fountainhead

Imagination and creativity are the mind’s stepchildren when it comes to priorities in society. When we call someone imaginative or creative, it sounds like a pat on the head. Art is something we indulge when we have time, when the important things are taken care of. What if we have things upside down?

“What if imagination and art are not frosting at all, but the fountainhead of human experience?” – Rollo May

I miss artist Joe Mayer being in town. I got to know Joe when he was living in Easton, teaching art workshops, getting businesses to hang art by local artists, and philosophizing at Coffee East just about every morning. Joe was painting abstract watercolors and we talked art, writing, and life a good bit. Joe did a quick warm-up painting and wrote the above Rollo May quote on it. It has hung in my house ever since. May wondered what would happen if we looked at imagination and creativity differently. What if we gave them a spot at the head of the table?

What if our lives are our canvas? What if the decisions we make every day as to how to spend our time, what to focus on–what if we looked at those choices as creative acts?

Mike Vallely is constantly creating things. Mike V. is a professional skateboarder, who founded, owns and runs a company called Street Plant Brand. I met him in Ocean City when I was a teenager. His life, his company, his passion, his art are all creative acts. He sings and plays music in bands, he has helped create what we think of as street skateboarding, works with and promotes artists, and makes his life about sharing his passion with other people. His motto is “Skate. Create. Enjoy.”

Author Bob Goff thinks of Tom Sawyer Island at Disneyland as his office. He does some of his best thinking there and meets with people there. Why? From his book, “Love Does:”

“We all want to have a place where we can dream and escape anything that wraps steel bands around our imagination and creativity. Tom Sawyer Island is a place where I conspire with people, where immense capers have been launched, and where whimsy runs wild.”

Bob G. and Mike V. dream different dreams for their lives, but each of them have made their lives about following and achieving those dreams. They put their imagination into practice. It’s not art in the sense of learning to paint, it’s art in the sense of learning to live.

God’s created each of us to be unique–with our own dreams, loves, fears, passions, and imaginations. And we each have our own lives. When we set out to align our dreams and our lives, and use our imagination and creativity to build them into one, we move toward the life God intended us to live–based on wiring us that way. I think that’s what Rollo May is talking about. What if art and imagination aren’t the frosting or the fringe, but the focus or the fountainhead?

What can we create, or make of our lives? What do we have to say?

Jeremy Joseph: The Shared Experience

Within a month of knowing Jeremy Joseph, we were almost struck by lightning in the storm that felled the Wye Oak. He and I sat next to each other at the Chesapeake Bay Maritime Museum the spring and summer before he became an art teacher. In a brief span, we talked fishing, art, Tom Robbins novels, music, literature, you name it. And then he rolled on to do what he should have been doing.

Jeremy taught both my daughters art in school, and over the years we circled back into each other. He has been a ceaseless inspiration for me to be creative. At one point when I caught up with him, he and a friend had put out a music album, he was painting every day and had his work in a local art gallery, along with a full-time job, his wife, also a teacher, was equally busy, and their two daughters in school, sports, etc. His motivation to make time to be creative pushed me to do the same. We have had similar takes on art, life, family, fatherhood, books, writing, and sports. Jeremy and his wife Tiffany are among the best people and kinds of friends you can encounter.

I’ve been a fan of Jeremy’s saltwater-based still life paintings for some time. And then this fall, a funny thing happened: he opened a solo exhibit of 30 paintings that were nothing like the work he had been doing. The new paintings were imaginative, primitive, celebratory, seemingly whimsical, communal. I wanted to see what was going on.

Jeremy has been serious about, and dedicated to painting for 22 years. He decided against going for a master’s degree in fine art, so instead set to making his own studio time and creating his own art history studies. From 1994 to 2003, he painted in a narrative style, telling stories with his art. And then he started looking more closely, observing more deeply, and in his meditative observations, the mundane became elevated. Still life painting became the medium.

“I had a lot to learn. If you are going to spend the time study and paint a striped bass or a mullet, it better look like one.”

Salt-water still life became Jeremy’s hallmark. His paintings sell reasonably well in the local galleries, he gets requests and commissions. He developed a nice niche. And then a new direction emerged.

Painting still lifes made Jeremy learn color in depth and develop his mark making. Teaching elementary school students, and seeing their unbridled imagination on a daily basis kept inspiring him. Add to that the fact that realist and impressionistic landscapes are all you will find within a few hours’ drive.

“I’d always wanted to do this imaginative work,” he said. “Maybe it’s punk rock vs Joe Satriani; maybe it gets back to Hemingway’s ‘The Old Man and the Sea,’ just working very simple.”

At first his idea was to convey the “first people,” or earliest people. Fishermen were going to be his transition. Then he started studying Meso-American figurines, Buddhist sculptures, and African masks. He saw stick figures and moved toward complete simplification. He started to notice some commonalities.

“People (artists and cultures) have been making the same eye shapes to represent contentment forever.”

Contentment, happiness became a current. Both conveying happiness, but also experiencing it in the moment.

In March of this year, Jeremy put up a studio in their back yard. It opens from the end and the side, and in the warm weather, hummingbirds flew into the studio while he was working. Birds and animals became a current.

“I get so much from the birds, the wings of birds, the flight of birds, that’s where my blood pressure goes down and where I go,” he said. “And I wanted to get across this universal happiness, we break bread, we share a moment, the thing I am after is just this little bit of happiness. And thinking about having a conversation with a merganser or a fox made me happy.”

Four months of painting every day, Jeremy created each of the 30 works in his studio. And had the full support of his gallery, the Grafton Galleries in Easton, to show the new works, even with them being a departure from what his work had been for the past 13 years.

“There were times when I thought that doing this type of work was a kind of career suicide for the still like work that I do. I wondered if I could make paintings that through the use of form and simplification, could dare someone not to smile, not to like it? I really wanted it to be about a mood, a shared moment or experience. Matisse said he painted for the tired businessman, the guy (or girl) who is tired at the end of the day.”

Part of that shared experience is captured in the painting, and part of it is shared with the person looking at the painting.

Breaking new ground after more than 20 years developing a style: I dig the creative courage that is behind a move like that. But what I get in talking to Jeremy, in spending time in his studio, is that it’s not about the painter, or the painting specifically; it’s more about the process.

What is it that gets you out to the studio, after teaching all day, after coaching sports, or family time, what is it that gets you to pick up the brush?

“You know it’s there, you know there could be a reward, you just have to get yourself out there. It’s the happy accident, the resolution of something, experiencing the unexpected. Honestly, it’s the smell, the sound, the feel of coming outside, you put yourself in the place where something can happen.”

Jeremy’s solo exhibit, “The Shared Experience” is on display at the Grafton Galleries, 32 E. Dover Rd., in Easton through the end of November. Some of his new works will remain on display after that.

Making Us New

Each day is full of the expected and the unexpected. There are things I see coming and plenty I don’t. There are things I recognize and those I know are new. And that goes for myself as well; there are parts of me I recognize and parts I have to do a double take to catch (some I like, some I need to work on).

We can say the same thing for each of our paths through life: there is familiar ground and new ground every day. The thing about it is to keep going.

By your endurance you will gain your souls. – Luke 21:19. That was the Gospel from this morning’s worship service at Christ Church Easton. Over the last couple months, I have been reading the Books of Luke and John, and I underlined that passage a week or so ago. As a distance runner it speaks to me of lessons learned through perseverance. As someone whose life doesn’t generally seem to move in straight or discernible lines, it’s also about endurance in the face of the unknown. We might call that faith. Faith helps us endure.

Jesus talks about the destruction of the temple, the impermanence of the earthly life, the trials and tribulations and hardships that lie ahead, and the need to stay on the path, have faith, “by endurance you will gain your souls.” There are a very few things we can control, life happens all around us, what are we to do, what are we called to do as followers of Christ in the face of it all?

What we are called upon to be in this world is a force for good, for hope, for reconciliation, and righteousness… we can be better vessels of grace in this (community). – Fr. Bill

Life happens in ways we can’t understand. What we are called upon is to be a force for good, for hope, for faith. To focus on those things we can do something about, how we treat others, how we serve, what we can do for ourselves, our families, our communities.

Our walk may require different shoes than we expected (I had to grab the photo above, which shows what happens when a priest has to go from two morning worship services to volunteering at the Waterfowl Festival). It may take us down different roads, put us in different places, and run us into different people than we expected or than we would have chosen on our own. Though we’d like to, we can’t control what or who we encounter, but we can control who we are, how we act, and how we see things and people.

Sometimes I think we adapt to the path we are on. We are made new by how we respond. Sometimes, I think we adapt to the path we see coming. We are made new to prepare for what’s ahead. In both cases, it is our response to God, what He’s put in front of us, and how we respond to His calling that makes us new.

Endurance, enduring doesn’t just have to be work and suffering. Those things are there, but so are happiness, joy, celebration, inspiration, and love. All things by which God makes us new, renew us. Along our path, we are able to become new again, invent, and improve ourselves. We can look to God for inspiration and we can surround ourselves with people who inspire us.

I’ve had the great fortune over the past couple weeks, to be inspired by two friends, in their mid-40s, doing amazing things that they have taken upon themselves to do.

Jeremy Joseph is an elementary school art teacher, father of two girls, his wife is also a teacher. He is an artist with a cool style. Recently he decided to take his painting in a new direction and opened a solo exhibit of 30 new works. More on that another time, but Jeremy has long been an inspiration for me and writing, the way he makes time for creativity, for his passion, when it would be easier just to work, to be a dad, live life. Instead he chooses to have creativity, art, and newness be a part of his life.

A.K. Leight is a marine biologist. He decided a number of years ago that he was going to get his PhD in environmental science (Biological Oceanography) knowing he and his wife work full-time, have two girls, and that it was going to be a long, slow process. This past week he successfully defended his thesis, bringing the culmination of so much time, effort, and study. It’s not something most people do 20-some years into a career. As I am entering a new life adventure where continuing education and/or graduate study are a part of a calling, I am inspired by what A.K. has done and how he has gone about it. I am blessed to have friends who inspire me by their example.

Every day there is something new for us. Every day we can bring new eyes and renewed heart to what we are doing and how we live our lives. Every day God makes us new.

A Writer Writes: The Gameplan

At any given point you can look back at your life. Hopefully you see things that make you proud: the kind of person you are, how you treat people, maybe you have kids and see who they are becoming, personal accomplishments, relationships, etc. But, if when you look back, you continue to not see something you thought you would see; meaning you haven’t done something you wanted to try; it might be worth taking a closer look at it.

For the past 18 years or so, I have had jobs that required me to write. And that’s great, I enjoy it. But only sometimes did those jobs send me after the kind of writing that I would choose to do on my own. I’ve been able to find chances here and there to pursue writing on the fringes, but never a sustained attempt. I’m trying to change that.

Steven Pressfield sees what gets in the way of me, or people in general, going after those things that make up our dreams. He wrote “The Legend of Bagger Vance,” which became a movie, and you’ll recognize a number of his other books. But it’s “The War of Art,” that has my attention at the moment. Pressfield calls it “Resistance,” that thing that stands in the way of people trying to achieve their dreams:

Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.

He points out Resistance as that force that stops us from doing something–from starting to workout or diet, to trying something new, to going to church, starting a business, painting, writing, from the simple to the profound. It takes the form of procrastination, excuses, it can be inviting or intimidating or rational. But it stops us, by whatever means. Until it doesn’t. And hopefully it doesn’t take a near death experience, or a mid-life crisis, or something of the sort to make us want to get past it.

When I looked around at myself, at how I spend my time away from work, my mornings, my evenings, I saw some things I liked. Spending time with the girls, running, trying to make the most of the mornings. And I saw some things I didn’t: like week day happy hours in the evenings after work sapping momentum, creativity, motivation. And not much writing. It seemed time to make some changes.

The August issue of Tidewater Times is out now. You can pick up a pocket-sized copy of the coolest, carry-with-you magazine on the Eastern Shore from a number of different places. Or you can read it online here. On page 177 in the online version, is the first of an ongoing series of articles and book reviews I’ll be writing there. It helps to have friends like Jim Brighton, who are doing remarkable things like the Maryland Biodiversity Project. If you are the Facebook type, they have more than 5,700 folks following awesome photographs and natural history posts. Regular articles in Tidewater Times is one part.

Getting this site rolling is another. I’ve got others in mind. Stay tuned. It’s also about surrounding myself with other like-minded folks, a creative community of people exploring life and their passions, and making the most out of each day. Some of it will be interviewing and writing about those folks, with Jim being one of them. People have different passions and talents. It could be giving up an office job and opening up a restaurant; it could be starting your own landscaping company and happily spending your days surrounded by nature. When someone’s passion becomes their story, that’s a pretty cool thing to see happen and to share with others.

There are writers out there whose lives and books inspire me daily. Peter Matthiessen and his environmentalism and spirituality. Tony Horwitz and his ways of tying history to the present in ways no one seems to have looked at. Thomas Merton and Frederick Buechner and their callings by God to follow Him and write about it. Gary Snyder and his seamless synthesis of words, nature, the Cosmos.

It’s a big world out there, full of remarkable people doing stuff that no one else can do in just the way that they are. My sense is that each of us has something of that in us.

The writer Will Durant summarized Aristotle by saying, “We are what we repeatedly do. Excellence, then, is not an act, but a habit.” That’s a habit I’d like to make. It will make for much better happy hour conversations on the weekends.