The Tree Which Moves Us

William Blake’s writing and artwork inspired my first tattoo, 21 years ago. This morning he reminded me to see God in all things. And it turns out today (Nov. 28) is also Blake’s birthday.

Reading him in a British romanticism class at Washington College changed the way I thought about writing. This morning, drinking coffee and reading, a letter Blake wrote to a patron-turned-critic popped up:

“I see everything I paint in this world, but everybody does not see alike. To the eye of a miser a guinea is far more beautiful than the sun, and a bag worn with the use of money has more beautiful proportions than a vine filled with grapes. The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way… But to the eyes of the man of imagination, nature is imagination itself.”

I didn’t set out to read Blake this morning, the letter was  in a chapter of Eknath Easwaran’s commentary on the Beatitudes. I came across the same letter again, referenced by Maria Popova’s Brainpickings, pointing out his birthday. I like it when God makes it obvious that you are supposed to read and think about something today.

Walking around Tuckahoe State Park on Sunday, I kept taking pictures because the sun was setting and bouncing light beautifully off the trees and the water. We live in a place where we can be frequently reminded to stop and look at amazing things. If we make time. It’s all around us: yellow ginkgo leaves covering the ground, Great Blue Herons in flight, seldom seen birds at the feeder outside the window.

Blake’s point is that we don’t all look at things the same way. For someone looking to clear land and build a house, or someone who is late to work, a tree might be just something in the way or background scenery. For others, it can be the tree which moves us to tears; overwhelms us with gratitude and wonder at being out in nature.

After quoting Blake, Easwaran goes on to quote Thomas a Kempis, saying:

“If your heart were sincere and upright, every creature would be unto you a looking-glass of life and a book of holy doctrine.” The pure in spirit, who see God, see him here and now: in his handiwork, his hidden purpose, the wry humor of his creation.

Every creature a book of holy doctrine. Wow. It comes back to being able to look, being able to see things that way, see each other that way. We determine how and what we see in the world. Seeing the tree which moves us, seeing God’s handiwork in nature and people in our lives, is the reminder I take today.

It’s cool to have Blake surface while studying Luke’s Gospel and the Beatitudes. Jesus was calling for people to see and be in new and different ways than what was going on around them. In his art and writing, Blake saw in new ways, broke from tradition, and conveyed the prophetic and the wondrous. He opened my eyes to writing being able to break free from form and constraint.

Since it’s his birthday, let’s walk toward Blake a bit more. He illustrated religious texts; it’s moving quickly into Advent and Christmas; and we have groups who have studied Luke’s take on Jesus’ birth narrative where angels appear to the shepherds. So this struck me today: Blake drew and painted scenes for a John Milton poem, “On the Morning of Christ’s Nativity.”  Blake illustrates Milton’s words, which describe a scene we know better using Luke’s words:

And suddenly there was with the angel, a multitude of the heavenly host, praising God and saying, “Glory to God in the highest, and on earth peace, goodwill toward men.” (Luke 2:14)

Today, on Blake’s birthday, and every day, whether we need angels to point it out to us, or whether we can use our own eyes, maybe we can see the divine in the everyday, the tree which moves us.

Helped are those

I’ve got to get to know Alice Walker. I’ve never read “The Color Purple,” but I love and live by her character Shug Avery’s quote, “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” God gives us things to notice, to experience, to enjoy, to wonder about, but it’s up to us to see them.

We are up to chapter six in our study of Luke’s reporting of the Gospel at Christ Church Easton, which includes Luke’s version of the Beatitudes–Jesus’ sermon on the plain, which is slightly different than His sermon on the mount in Matthew’s Gospel. Most people have heard it–“Blessed are the poor, for yours is the kingdom of God, Blessed are you who are hungry now, for you will be filled. Blessed are you who weep now, for you will laugh.” (Luke 6:20-21)–even if they don’t know it. But it’s fair to say that most people don’t give it much thought.

“Blessed” is a word that is overused and casually used, to the point that maybe it has lost its meaning in daily life, or at least it’s been watered down. As I was looking around this week for thoughts, commentary, and creative takes on the Beatitudes, Alice Walker popped up again. It was her same character, Shug Avery, but in the sequel to “The Color Purple,” the novel “The Temple of My Familiar.” In it, Shug gives her own version of the Beatitudes, but she replaces the word “blessed” with “helped.” And it changes so much  (grabbing just a few):

“HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant.
HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity.
HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long.
HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize a partnership in the creation of the Universe that keeps them responsible and cheerful.
HELPED are those who love the earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy of her lively response to love, they will converse with the trees.
HELPED are those whose every act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or child.”

I love the way “helped,” changes the way we think about things; blessed is easy for us to think, oh, that’s nice, things will balance out eventually. Helped lets us know that we are helped by seeing things that way, or by being or acting a certain way. We can also look at it as helped by God for loving, living, acting, or seeing in a particular way. But it puts it on us to take action, to be in the world.

Eknath Easwaran was a fascinating, brilliant mystic who wrote about all kinds of religions, on meditation, prayer, and who has written a commentary on the Beatitudes called “Original Goodness.”

To begin his book, Easwaran quotes another mystic, Meister Eckhart:

“I have spoken at times of a light in the soul, a light that is uncreated and uncreatable… to the extent that we can deny ourselves and turn away from created things, we shall find our unity and blessing in that little spark in the soul, which neither space nor time touches.”

Easwaran goes on to outline four principles that Eckhart tried to get across:

  1. “…there is a light in the soul that is uncreated and uncreatable… a divine core of personality that cannot be separated from God.
  2. “This divine essence can be realized… it can and should be discovered, so that its presence becomes a reality in daily life.”
  3. “This discovery is life’s real and highest goal. Our supreme purpose in life is not to make a fortune, nor to pursue pleasure, nor to write our names in history, but to discover this spark of the divine that is in our hearts.”
  4. “When we realize this goal, we discover simultaneously that the divinity within ourselves is one and the same in all–all individuals, all creatures, all of life.”

From Jesus, to Eckhart, to Easwaran, to Shug/Walker, the idea is that we can know God directly, personally, that He dwells in each of us, and that we would do well to get in touch with this Holy Spirit inside us, which connects us to God; and in order to do so, we need to look past, to strip away so many of the worldly things that we hold up as more important.

Simple, right? Not so much. Jesus calls for a reversal, for us to change our priorities, our way of looking at and being in the world; how we look at and treat each other. That’s the goal, what we aim toward–feeling connected to God, feeling helped or blessed in all that we do. We may never get there (I’ll probably never get there), but that doesn’t mean we don’t pray, meditate, study Scripture, love each other, live it out, and try to get closer to God in our attempt.

We’ll leave it to Shug to say a thing or two more about the “helped:”

“HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or or war.
HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth.
HELPED are those who are shown the existence of the Creator’s magic in the Universe; they shall experience delight and astonishment without ceasing.
HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who find the courage to do at least one small thing each day to help the existence of another–plant, animal, river, or human being.”

It started with Stan Lee

“Stan Lee and Dr. Seuss and Ray Bradbury. That’s where it begins and ends with me.” That’s how Josh Brolin, who plays both Thanos and Cable in the current Marvel movies, began his remembrance of Marvel legend, founder, and storyteller extraordinaire, Stan Lee. Lee died yesterday at the age of 95.

I heard the news from my cousin, who works at the Miami Herald newspaper, which is fitting, because he is the same cousin that introduced me to comic books; the same cousin who I would spend hours with at Alternate Worlds Comic Book Store in Cockeysville, pouring over Stan Lee’s creations. The comics I collected and couldn’t stop reading were Daredevil, the Avengers, the X-Men, Black Panther–all first created by Lee and artist Jack Kirby, and all current Marvel movie blockbusters.

My teenage daughters don’t read. And I’m not overly worried because I didn’t read growing up. Except for Marvel comic books, something that started when I was 10 and went obsessively on through middle school and into high school (though it wasn’t something you wanted people to know back then). And then graphic novels found their way back onto my reading list in my 40s, again the same Marvel titles being the mainstay.

Stan Lee lived every writer’s dream: to see his characters become household names, loved across generations, spur imaginations, and touch people’s lives. And the coolest thing is that it wasn’t about him, it was and is about the stories and the characters–he passed them on to subsequent writers who try to build on and expand his vision. Here is what those who continue Lee’s stories (three of Marvel’s top writers and an actor) had to say on Lee’s passing:

Stan Lee made the word, “Excelsior!” his sign off and tagline. It’s generally translated to mean, “ever upward,” “higher,” or striving.  Chances are, if you hear it in today’s culture, it’s because of him.

Marvel does a nice job of giving the skeleton/chronology of Stan Lee’s career as a storyteller. It’s heartening to realize that Lee almost quit writing comics after 20 years and didn’t really breakthrough until he was 39.

When someone dies at 95 years old, having lived a life people dream about, it’s not tragic; it gives us a moment to remember and appreciate what they brought to our lives. For me, my love of stories, and my desire to read them, to consume them, look for them, think about the shape of them, the imagery of them, to get to know characters–started with Stan Lee. I remember paying $5 for Black Panther #4 in its clear, plastic bag and feeling like I had a small piece of a legacy in my hands. I would walk out of the store with hours of stoke and fuel for my imagination. And I smile now, when I pass on something to my nephew, who sits transfixed, shuts out the world around him, and dives into the Marvel universe.

And these same stories, Stan Lee’s creations, having hit the big screen in ways we didn’t know could happen back then–cinematic storytelling has caught up to what was being done on the page–I now share with my daughters, who have seen all the movies, and suggested Marvel marathons without prompting–always looking for Lee’s comedic cameo in each film.

When I picked 13-year-old Ava up from school yesterday, I told her that an older famous person who she knows died. The first guess out of her mouth was, “Stan Lee??”

And last night we watched “The Avengers.” Tonight we’ll pick another. The stories keep going. But it started with Stan Lee. “Excelsior!” is how he lived.