Month: July 2018

Because We Can

He wasn’t the real Mark Twain. But he was to us, sitting in an elementary school gym, white suit and mustache, telling stories. And we sat spellbound listening to a man who looked and sounded like Twain. We laughed til our sides hurt, leaned forward to hear what happened next, and teared up as he talked about the power, terror, and finality of the atomic bomb.

Almost 40 years later, I feel like I am sitting in that gym again, reading Neruda’s, “Ode to the Atom:”

Infinitesimal
star,
you seemed
forever
buried
in metal, hidden,
your diabolic
fire.
One day
someone knocked
at your tiny
door:
it was man.
With one
explosion
he unchained you,
you saw the world,
you came out
into the daylight,
you traveled through
cities,
your great brilliance
illuminated lives,
you were a
terrible fruit
of electric beauty

Neruda goes on to describe the horror at Hiroshima, the ordinary day and ordinary lives that were no more.

He uses the phrase, “terrible fruit,” which is meant to send us back to the garden and another fruit with consequences.

“That’s why we can’t have nice things,” is a phrase I like to use; it makes me smile while at the same time shaking my head. It applies to so aptly to so much of the world right now. We do things because we can. If we are able to do something, we must be meant to do it, right? We can take remarkable scientific discoveries and twist and turn them in ways that can destroy the planet; we can take absolutely stunning sweeps of land and landscape, and see it as a resource to be used, rather than creation to be enjoyed and appreciated. We can look at one another as competition, or as enemies not be trusted, rather than with kindness and cooperation. We can, we have the ability, to do all those things.

But what we end up with–war, pollution, a culture of outrage and hate–is a result of that view and those actions. How we see things and how we act, give us what we get.

At different points in our lives, I think each of us has seen, felt, or understood that things could be different than that. That life could be different. That the world could be different. We get to choose.

Whether you read the Bible, history books, or study psychology, we have read about and can understand other ways of living. At some point in our lives, maybe we can point to times, moments, people, when life felt incredible, our thoughts and hearts were elevated, and we got this feeling that we were on the verge of understanding  or being something more. Maybe it’s the feeling of being on vacation, or for a child, the feeling of Christmas morning. But then it fades and we are back to real life, our world of bills, deadlines, heartbreak, and sickness.

What if life, what if God was continually giving us clues how to bridge the gap–to make both lives the same? What if God knows we can do whatever we want, “because we can,” but is pulling for us to see things differently, and to make a life, and help make a world, where there is order, peace, and love, rather than everything running unchecked because it can?

What if by paying attention, by looking inside ourselves, and looking to God, we can rewrite our lives in ways we’ve only dreamed about?

Those are questions worth asking, conversations worth having, and a life and love to explore.

Everyday People, Everyday Grace

give me
the daily
struggle,
because these things are my song,
and so we will go together
shoulder to shoulder
– Pablo Neruda, “Invisible Man”

Neruda saw the universe in an artichoke, birds, tomatoes, socks, seaweed, and stamps. And in the people he encountered everyday: a bricklayer, a woman gardening, or a couple on the street.

My first double-take at Neruda was in the late 1990s, out of college, trying to figure out what should occupy my thoughts, where life was going to go, how to put things together. Funny, I’m still wondering those same things. A friend brought “Elemental Odes” around and Neruda takes the time to look at the everyday world around us, to really look at it, and see deeply into it. He elevates the humble. Everything is full of stories and we are connected to all of them. In the same poem, “Invisible Man,” he feels everything around him:

but I smile,
because when I walk through the streets
… life flows around me
like rivers

When my head gets stuck in the clouds, I often turn to Neruda’s odes as a way to reconnect. Sipping coffee in the morning, listening to birds in the yard, watching the dog bum-rush the bird feeder, or being in a church full of 700 people–pouring out into the parish hall and under a tent, rain coming down–brought together by the love of one person who connected us all. Each of these things, from the simple, to the profound can be an act of everyday grace, connecting everyday people, if we choose to look at them that way.

I know “Everyday People” is a Sly and the Family Stone song, but the version I hear in my head with that phrase is the Arrested Development hip hop version, “People Everyday.”

We are all people everyday and that’s what we’ve got to work with. Through struggle, uncertainty, celebration, and joy, we get up and we go. Anything we are going to come to know, we are only going to find through our everyday lives. When we find and feel grace in those moments, we find something more. I dig what Anne Lamott has to say about grace in “Traveling Mercies:”

“It’s unearned love–the love that goes before, that greets us on the way. It’s the help you receive when you have no bright ideas left, when you are empty and desperate and have discovered that your best thinking and most charming charm have failed you. Grace is the light or electricity or juice or breeze that takes you from that isolated place and puts you with others who are as startled and embarrassed and eventually as grateful as you are to be there.”

I wake up, let the dog out, put coffee on. I walk through the yard, hearing traffic from the highway, I look at the tomatoes growing, and I sit down to read, to pray, to remember, to be grateful. And I hope to find, to connect with, to be everyday people living into everyday grace.

Why Our Tribes Matter

Your people shape your reality. Who you spend time with and what you do together is a huge part of how we see life. Our worlds, our realities, are made up in part by those we spend our time with; those with whom we build and share experiences. This may seem like a no-duh realization, but let it sink in.

David Abram’s book “Spell of the Sensuous” is a book I’ve known for a while that I need to spend time with. It looks at our (humans’) place in the world as part of a wider community, people, animals, mountains, rivers–things that for most of history have been viewed as part of one big, living system, but which we are coming, at great costs to ourselves, to see as inanimate. It’s a slow read for me, but there are “a-ha” moments on just about every page. The following thread comes from Abram’s book.

Abrams goes back to Edmund Husserl, who is a guy at one point I was planning to spend a good part of graduate school for philosophy getting to know. Husserl grabbed the word “phenomenon” way before L.L. Cool J got a hold of it. Edmund said the goal of phenomenology  is to “describe as closely as possible the way the world makes itself evident to awareness, the way things first arise in our direct, sensorial experience.” And that without doing this first, all the fields of “objective” sciences had no context.

Another guy with a daunting name who peeled back the curtain of phenomenology is a guy named Maurice Merleau-Ponty:

“We must begin by reawakening the basic experience of the world, of which science is a second-order expression… To return to things themselves is to return to the world which precedes knowledge, of which knowledge always speaks…”

MM-P said you can only have a field like geography, “in relation to the countryside in which we have learnt beforehand what a forest, a prairie or a river is.”

Give me one more heady stretch here. When Husserl looked at the world he experienced, he had to account for the fact that there were other sensing beings with whom we interact with, and something like looking at a tree and clouds overheard, whatever the reality of it is, it’s “intersubjective,” experienced by multiple people. Hang on to your intersubjective hats:

“the very world our sciences strive to fathom… is rather an intertwined matrix of sensations and perceptions, a collective field of experience lived through from many different angles. The mutual inscription of others in my experience, and of myself in their experiences, effects the interweaving of our individual phenomenal fields into a single, ever-shifting fabric, a single phenomenal world or ‘reality.'”

Abram is skimming the surface of Husserl’s Emerald City:

“The encounter with other perceivers continually assures me that there is more to any thing, or to the world, than I myself can perceive at any moment… It is this informing of my perceptions by the evident perceptions and sensations of other bodily entities that establishes, for me, the relative solidity and stability of the world.”

Okay, now breathe. Grab a cup of coffee, put on some cartoons, or Shark Week. My apologies, no one likes to dig into the fabric of experienced reality without warning.

That’s an almost academic way to say, who we spend our time with becomes a part of our reality. We probably know that on some level, but when you dig into it, it carries even more weight.

I know my experience of the world, of life, is one of many, and I can’t get it all–there is way too much to take in. If I am honest and humble enough to admit that, I need other people to help me experience more, to understand more.

Like a lot of people, I drifted away from church somewhere through my 20s and 30s and early 40s, not seeing a relevance, not feeling connected to what I thought it meant to be a part of, or go to church. Over the course of the last few years, what I understand church to be, what that reality is for me, has been shaped, co-created in so many ways by the people at Christ Church Easton, particularly the Saturday “Alive at 5” service. Because that was where I saw, witnessed, experienced first-hand, people’s lives being transformed, by the honesty, love, and acceptance of the other people there; by the laughter, the tears, the joy, and the hope we found; by the Holy Spirit; by God’s love poured into people who shared it with each other, then went out, told others, and helped build a church family. I still like the word tribe.

When you have people who are willing to put themselves out there; people are searching for more out of life; people who are willing to step beyond the mistakes, missteps, and pain of their past in hope of being a part of something new, bigger than themselves, but of which they are a key, unique piece of the whole–the tribe you become a part of, build, invite others to, shapes your reality.

Let’s consider this post a preamble, an introduction. And let’s see what we can build from here.

 

Frosting or Fountainhead

Imagination and creativity are the mind’s stepchildren when it comes to priorities in society. When we call someone imaginative or creative, it sounds like a pat on the head. Art is something we indulge when we have time, when the important things are taken care of. What if we have things upside down?

“What if imagination and art are not frosting at all, but the fountainhead of human experience?” – Rollo May

I miss artist Joe Mayer being in town. I got to know Joe when he was living in Easton, teaching art workshops, getting businesses to hang art by local artists, and philosophizing at Coffee East just about every morning. Joe was painting abstract watercolors and we talked art, writing, and life a good bit. Joe did a quick warm-up painting and wrote the above Rollo May quote on it. It has hung in my house ever since. May wondered what would happen if we looked at imagination and creativity differently. What if we gave them a spot at the head of the table?

What if our lives are our canvas? What if the decisions we make every day as to how to spend our time, what to focus on–what if we looked at those choices as creative acts?

Mike Vallely is constantly creating things. Mike V. is a professional skateboarder, who founded, owns and runs a company called Street Plant Brand. I met him in Ocean City when I was a teenager. His life, his company, his passion, his art are all creative acts.  He sings and plays music in bands, he has helped create what we think of as street skateboarding, works with and promotes artists, and makes his life about sharing his passion with other people. His motto is “Skate. Create. Enjoy.”

Author Bob Goff thinks of Tom Sawyer Island at Disneyland as his office. He does some of his best thinking there and meets with people there. Why? From his book, “Love Does:”

“We all want to have a place where we can dream and escape anything that wraps steel bands around our imagination and creativity. Tom Sawyer Island is a place where I conspire with people, where immense capers have been launched, and where whimsy runs wild.”

Bob G. and Mike V. dream different dreams for their lives, but each of them have made their lives about following and achieving those dreams. They put their imagination into practice. It’s not art in the sense of learning to paint, it’s art in the sense of learning to live.

God’s created each of us to be unique–with our own dreams, loves, fears, passions, and imaginations. And we each have our own lives. When we set out to align our dreams and our lives, and use our imagination and creativity to build them into one, we move toward the life God intended us to live–based on wiring us that way. I think that’s what Rollo May is talking about. What if art and imagination aren’t the frosting or the fringe, but the focus or the fountainhead?

What can we create, or make of our lives? What do we have to say?